Welcome back, American White Pelicans! Every winter it is delightful to see the return of the true snowbird, this beautiful and enormous bird that migrates to Florida from the Great Lakes region. I usually find large flocks on them on Sanibel Island in the Ding Darling Wildlife Refuge and further south in “Ten Thousand Islands.”
In this close up photograph, the closely packed White Pelicans made an artistic arrangement. I see the composition as a white Christmas tree. I share the image with you as I send best wishes to you for a wonderful Christmas holiday filled with peace, joy and love.
Please share my blog post but not the photograph by itself. Prints are available upon request: email@example.com.
The start of every wildlife photography outing is overshadowed by doubt. Will I see anything today? Will the wildlife come to me? There is a great deal of luck involved in success: while we plan for weather, the angle of the sun and the tides, we don’t control the wildlife. We just pray for it.
The other half of the success equation is preparedness. How often do we go out there? I tell myself that I won’t see anything staying home or sleeping in! How good is your equipment? How well do you use it?
On my last trip to Sanibel Island, Mother Nature gave me a gift. The sought after Roseate Spoonbills were feeding at low tide in the shadows of the mangroves. I was there with my Sony mirrorless camera, a 600mm lens and a tripod. All the pieces came together.
I delight in the pink hues of the Roseate Spoonbill’s plumage. In this photo the splash of pink contrasts the dark shadows of the surrounding mangrove and water.
Green foliage, blue skies and bright sunlight are daily staples in southwest Florida, and all three of these elements combine to make strong infrared photographs. While the look of the final image and final print will vary with your processing style, green foliage can read as white, blue skies will go dark, and bright sunlight produces high contrast. If you like black and white prints, these qualities of an infrared photo will deliver greater contrast and drama than traditional film or digital photography.
Here is a recent infrared photograph that I captured at the Naples Botanical Garden on a sunny afternoon and processed to black and white, achieving the contrast I strive for.
I’m taking the liberty of calling this photo “My Eastern Bluebird,” because I was just complaining to a friend that I have never taken a satisfactory photo of an Eastern Bluebird. I just love the coloring of this elusive bird, which always seems a step ahead of me. In the past, by the time I focus the lens, he is gone.
I knew that I had captured a photo of an Eastern Bluebird, but the small bird was so far away from me, that I wasn’t sure how successful the photo would be. In fact, the background of the sky was just a bright, amorphous glare. Yuk.
As I processed the photo and liked the focus and coloring of the bird, with thanks to my Sony 200-600mm lens, fully extended at 600mm and mounted on a tripod, I went in search of a better sky to create a more harmonious image, and voila…
This morning I rose before the sun to go birdwatching on our golf course. As the sun began to light the landscape, I spotted this Red-Bellied Woodpecker looking for insects on the palm trees. As he flew from one palm to the next, the sunlight gave us a good look at his red crown and black and white patterned wings.