Fishermen in China

One of the benefits of a trip to China is the opportunity to see how so many activities are done differently. Religion, cuisine and many customs are new and different to visiting Americans. One activity that caught my eye was fishing. Seeing the nets used from the shoreline or from a small handmade craft made me think of man’s legacy with fishing. Fishing has been practiced this way for centuries. Who would suspect these photographs were taken in 2005?

This first photograph was taken one warm and humid July evening in Yichang, a city of 1.3 million people along the Yangtze River. During our week on the Yangtze, the river was uniformly brown, spoiling my vision for the look I had hoped for my photographs of the Three Gorges. My family was amazed by the size of the man’s net.

In Guilin, much further south in China, the Li River promised more great photo opportunities. Guilin is particularly scenic because of the limestone peaks covered with greenery that create dramatic backdrops to views of the river and the rice fields. At the end of our day cruise in Guilin, I spotted these fisherman coming in with their raft and pole. Barely visible in the distant background are two more such rafts with fishermen, chasing their catch with nets on poles.  If I have the opportunity to return to Guilin, I will make myself wake up early before dawn to photograph the fishermen who use cormorants to fish; the cormorants (long-necked birds) catch the fish, and the fishermen remove the fish before the bird swallows it, as I understand it.

Cathy Kelly’s Realism

As we make the leap from Cathy Kelly’s photography in New England to explore more distant locations around the globe, I thought it would be helpful to choose a theme to give our journey some continuity. We can begin with this theme: the fisherman and the farmer and the people in the market place – men and women who have worked close to the land and the sea, making an honest living, providing food for their communities for centuries.

I chose this theme, because I was often inspired by this theme while traveling in the Far East. I saw fishermen, men and women working on a Chinese tea plantation, women working in rice paddies in China and Vietnam, and men and women bringing vegetables, fish and meat to market in China, Vietnam and Thailand.  I felt these images before my eyes were timeless.

Living my life in 21 century America, I also found these sights refreshing, but the sights also reminded me of 19 century Realist paintings that I studied at Mount Holyoke College.  Specifically, I thought of Frenchman Francois Millet’s The Gleaners (1857) and The Sower (1850), which I have copied below for your reference. Millet elevated the peasant to hero in his depictions, and in my photography, I try to do the same.

Here is what WikiPaintings says about the Gleaners:

By far the most recognizable of Millet’s works, The Gleaners depicts a trio of women gleaning the last bits of wheat from a field. Millet found the theme of women gleaning the last bits of wheat an eternal one, linked to stories of the Old Testament. The painting was received by the public with open scorn. It presented what at the time were the lowest ranks of society, taking advantage of the age-old right to remove the last bits of grain left over from wheat harvest, in a sympathetic light. During his lifetime, this painting garnered naught but notoriety from a French upper-class that feared glorifying the lower ranks of society, and it was not until after the artist’s death that it became more popular.

Millet’s Realism made such a splash, that Van Gogh honored his work with this painting:

And here is a compassionate yet realistic portrait of a fisherman by Van Gogh.

Let’s begin our photographic journey. Here is a Cathy Kelly photography (2004) of a lobster man in Marblehead, Massachusetts. It appears that American culture has boosted up the contemporary fisherman. He seems young and happy in this depiction.

The following year (2005), we look upon a Chinese fisherman in the Yangtze River.

Back in Business

Hello, World…again. I am back to my international photography blog after a year’s leave of absence due to illness. Feeling well now, I will be posting my photographs again on a weekly basis, at least. During the past year, I have ventured out to Bermuda, Cape Cod, Portsmouth NH and Kittery ME — all beautiful locations lit with full sunshine last August and September. I will post photos of 1) a lighthouse on the rocky coast of southern Maine and 2) the bay side beach of Eastham, Massachusetts. Both locations are buried in two feet of snow today!

Plans are in place for a fabulous new photo safari in July 2013, 10 days on the Big Island of Hawaii. I am looking forward to photographing the active volcano there from helicopter and boat if possible. I am sure we will also walk the desolate lava fields and snorkel off the West Coast.  I have snorkeled in Jamaica, Mexico, St. Lucia and Australia and was slow to get comfortable with it, but (as you can tell I kept trying) and I had a great snorkeling coach in the Great Barrier Reef where the rewards were amazing. I saw a terrific variety of coral and was _most_ excited to see the giant clams. It was fun to take some underwater photos. I had to have the underwater camera cleaned to remove the salt water damage to the lens motion, but now it is ready to go again.

My photo archives from around the world are extensive, and in the meantime I will re-explore many of the exciting locations I have visited in the past — so that I can post and share them with you. I have admired and studied the photography of Trey Ratcliff, author of the great travel blog, “Stuck in Customs.”  Trey has relocated to Queenstown, New Zealand, one of my favorite locations (so jealous!), and he keeps shooting and posting and blogging.  He is my inspiration. I recently joined his Paris Webinar and studied his processing techniques in Photomatix and Lightroom. There is always so much more to learn.

I hope you will follow my blog, now that I am back in business, and visit the locations page of my website:  I am working on an even better website, which should launch in March. Keep in touch.

copyright Cathy Kelly

Flashes of Hope

It is too bad for me that this is not a paying job, because this photo shoot is my calling.  Last week’s portrait photo shoot at Children’s Hospital was the fifth time I have volunteered.  It is a long and demanding day – capturing a variety of portraits of about 12 children who are fighting cancer or another life threatening illness. I need to arrive at the hospital by 9 am with my car packed with my mobile studio: backdrop and stand, strobe lights and stand, light diffusers, digital camera, sync devices and computer.  Each child and I only have 15 to 20 minutes together, and I try to get to know each little person/young adult. Once the child gets comfortable with me, we play around with a variety of poses, and the photo shoot becomes fun. Some children are more shy than others; some aren’t feeling well; others appear perfectly healthy. The ages have ranged from infant to 26.  It seems like most of the children I have met are between age 2 and 15. I just love getting to know each personality, and it is fun to see beautiful smiles emerge and love for siblings and parents expressed with hugs and kisses.

The computer processing work takes many hours: first I edit all the images. I may have shot from 25 to 60 photos of each child depending on how energetic the subject is. Then I work on the best 10-12 images (yes, this adds up to about 144 total images). I will crop and then convert to black and white, correct the curves so the flesh tones look good, retouch the face if necessary, retouch anything else and add a vignette.

Every month a different photographer (from ASMP, American Society of Media Photographers) volunteers, and it is interesting that each photographer has a different style. The Pittsburgh organizer for Flashes of Hope says that the families have been pleased with the results of every different shooting style.

When all the images are prepared, within two weeks of the shoot, I mail a CD to Flashes of Hope central office, and then they go to White House Custom Color, where a proof folder is made for each family. About two months after the shoot, each family receives a folder that typically holds 10 4×6” prints, 2 8×10” prints and a CD of all the best images, so the family can make reprints.

As the photographer, we never hear any follow up on the children (privacy rights prohibit this), but this work is rewarding.  I have been pleased with my results, and I know the families are grateful for this unique gift. So, I’m ready to do it again!

You can see samples of these portraits on my website under PORTFOLIOS/ Flashes of Hope.