My recent trip to New York City and Little Island inspired me to capture some new infrared images. Before I pull out the infrared-converted camera, I look for dynamic compositions that are simple and feature strong shapes. I also like to include both foliage and sky, if I can.
Looking from Manhattan’s Lower West Side toward New Jersey, I liked the composition framed by the concrete supports of Little Island and featuring the converging lines of the pilings in the Hudson.
I processed the Super Color image today to render the water in blue and the foliage in a golden yellow. What do you think?
After a month-long visit with the grandchildren, it’s time to get back to the photography, and I began yesterday with a midday walk on the beach. The sky was clear and blue, and the sunlight was strong — perfect conditions for Infrared Photography.
I like the way the sun gives the palms and the sky this nice contrast. I chose to process this “super color” image with the palms rendered in a golden yellow, even though they look green to the eye and with the rest of the image in high contrast black and white.
I enjoy experimenting with Infrared Photography, because it’s a new way of looking at the world around us.
What did you learn today? Whether your field is medicine or teaching or child rearing, I’m sure you learn something new every day. Right now I’m using these few months close to home to learn lots about processing infrared photographs. I’m finding Infrared Photography an interesting creative outlet.
After having a Sony camera converted to capture only Infrared and “SuperColor” light (over 580 nanometers), I learned how to White Balance, Channel Swap, and adjust the hue, saturation and tonality of the color captured. That may be a lot of meaningless jargon to you, but the message is this: it is all quite technical and detailed, but the tools, once mastered, are fun to play with!
Today’s share is a photograph I shot outside the Conservatory of the New York Botanical Garden on October 3. I chose the sharpen the foreground plants while fogging and softening the background. I also chose to feature the golden color we love in the Fall against the deep blue sky. All of these choices are creative ones; I like that this image is uniquely mine.
Black and White photographs feel timeless, don’t they? Looking at a black and white image of a scene from the olden days seems right to me. When we visited Pioneertown near Joshua Tree National Park, I found some old style buildings like this Feed Store. As I stood on the dirt road, I admired the low evening sun shining from the right on this big Joshua Tree and the wood barn.
As I processed this image, I emulated the look of an infared light photograph by darkening the sky. The foliage was naturally bright from the sunlight. A really good black and white image includes a simple and balanced composition, bold shapes and interesting textures. This image checked all the boxes for me.
If you arrive in Pioneertown in the late afternoon as we did, you can enjoy dinner and the unique ambiance of the iconic restaurant Pappy and Harriet’s, but you will need a reservation.
Staying at home during the coronavirus pandemic knocked me off my constructive and creative track with wildlife and nature photography. I found myself absorbed with cooking, cleaning, gardening and pondering the uncertainties of when restrictions will be lifted. Seriously, how long can this go on? All of us have had the rhythms of our daily lives disrupted, yes?
I knew that if I could get myself to pick up a camera and begin exploring nature in my own backyard, so to speak, that I would begin to feel like myself again. I ventured out to the newly reopened Phipps Conservatory in Pittsburgh (masked and careful), and indeed the magic reappeared. My vision and my technical skills are intact! Here is the first image I captured.
Today is one of those days when I feel like taking a walk in a beautiful faraway place. Maybe it’s just because I can’t! The Stay-home directive resulting from the current Coronavirus crisis is hard on a lot of us with wanderlust. Are you like me — dreaming about your next trip?
In the meantime, we can look back on past trips when we could wander along a path in the middle of a summer’s day and explore the evolving view. On July 4, 2018 I was walking alone along the River Wear in Durham, England. I would have preferred to have a friend along, but my husband was working that day.
I came to this spot along the river where the afternoon sun lit Durham Cathedral up on the bluff as well as what appeared to be the mill house, which reflected in the river. The leafy trees near me even framed my image, and the clouds fell right into place as well. Today, nearly two years later, in May 2020, I’m channeling the peace and beauty of this day.
I always try to be open to a new way of seeing things. I had climbed to the top of the Vessel in Hudson Yards and taken photographs from many different angles. I was finished, and started to descend the stairs when this reflection caught my eye. Oh! I’m not finished.
If you viewed my previous blogs about Hudson Yards and the Vessel, you have an overview of the Vessel from the outside and from the top looking down inside.
Interested in visiting the Vessel for yourself? Take the New York City subway 7 train to the western terminus at Hudson Yards. Buy your tickets online ahead of time.
Early morning is a great time to walk the Brooklyn Bridge, because it’s not too crowded. On this cloudy and windy morning, I was a little sad that I missed the clear blue skies of the day before, but in the end I think the clouds enhance the image.
This photograph was shot with Sony and processed in Lightroom, Photoshop and Luminar 2018. Lightroom does a great job of correcting the distortion created by a wide angle lens.
Back to the moment when I walked the Brooklyn Bridge, winter is here! I had to hold on to my hat as I coped with the wind on the East River.
This wide angle photography taken inside New York City’s iconic structure The Vessel shows the beauty and rhythm of its geometry. Judging from the size of the people climbing the Vessel, you can appreciate its size.
In this image, you can simultaneously observe the Hudson River, the rail yards, the top of the Vessel, the intriguing blue circle at the core and the elevator track on the lower left. More on that blue circle later!
I feel the best aspect of the image is the symmetry of the staircases. Does the childhood board game “Chutes and Ladders” come to mind? The copper outlines really stand out against the dark grey flooring and glass panels. I just love this design!
You can find The Vessel in Hudson Yards by taking the New York City subway 7 train to its western terminus.