As an artist, I’m inspired to experiment. And so on a sunny afternoon in South Florida, I captured this infrared photograph in a pine forest.
Infrared photography is a ripe medium for experimentation, as I find so many choices are available in processing. Shall I go black/white, blue/white, cyan/orange? To fully embrace infrared photography, which only captures invisible light above the red spectrum, you need to let go of reality as your eye defines it. Then, you are free to see the world in a brand new way.
On first impression, the swamp is chaotic. With its high canopy, most of the scene is dark with shadow. The day’s bright sunlight barely filtering through. Large tree trunks, felled by past storms lie at random angles and decay. Walking the boardwalk, I look down into the murky water for alligators, frogs and snakes. I hear a variety of bird calls, but looking around and above me, I cannot spot the birds.
I walk and observe my surroundings for more than an hour. My vision is drawn to the ferns, which spring from the decaying tree trunks and at times fill in a section of the swamp. I see the color, the pattern and the contrast of a narrow trunk, speckled with lichen. I have found a composition. As I work with the image later, I developed a painting. What do you think?
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Infrared photography can really open your eyes and unleash your inner artist. There are so many ways to process an image that captures visible and invisible light above 590 nanometers, that the creative possibilities for rendering a simple scene can be inspiring. Let me explain.
When I go out to shoot Infrared photos, I look for simple compositions (less is more) with interesting shapes, strong contrast and often, a sky. For example, a an image that includes sunlit foliage against the sky will be high contrast. Walking around your familiar environment, you can find these elements. (A perfect COVID-safe activity!)
When you begin to process at the computer, the fun begins. Using some special techniques, you can render the image in black and white, or blue and white, or blue and yellow, or blue and pink, for example. The possibilities are not exactly endless, as they are derived from manipulation of the red and cyan color channels, but there is lots of space for experimentation and expression of personal taste.
The body of work I have created with Infrared photography and creative processing at the Naples Botanical Garden gave me the idea of putting together a book that includes a variety of processing applications. When I share a single print, I get mixed reactions from people who don’t know what to make of this imaging style. I find myself explaining that black and white photography is “not reality,” but it is revered, and has been a part of our art culture for a hundred years. And consider this: fine art painters take liberties with colors, making choices express feelings and moods, rather than literal “photographic” reproduction. In contemporary art, painters have been freed from even a literal rendering of form when they paint in the abstract, right?
I find that most people don’t understand Infrared Photography, as it is uncommon. I am proud to be an Infrared pioneer, and I hope you will join me and enjoy it.
As a photographer, I’m always attracted to a scene that shows a path, because my mind questions, “Where will this path lead?” In this infrared photograph, the scene looks quite mysterious. A line of stepping stones provide a solitary path across a dark pond to a tiny Asian temple.
I feel a celebration of sunshine in the golden foliage and deep blue sky. The deliberate path to the little shrine is an invitation to personal meditation. How does this image speak to you?
Having converted a Sony mirrorless camera (a6300) to “Infared and SuperColor,” I’m now learning how to process these odd images. When you capture an image with infared light and visible light only 590 nanometers and up, you get some unique color effects, so you need to adjust white balance, swap blue and red, set white and black points, adjust the tonality of each color and adjust hue and saturation. While that sounds like a ridiculous amount of work, the process becomes interesting because you learn about what each individual color (red, green and blue) is doing and how each individual color looks as it interacts with the others.
While you may or may not find that color study interesting, you will probably like the creative possibilities in the different results one can achieve. Here are some examples:
You know the age-old question: what came first, the chicken or the egg? You can’t have one without the other, right? In the same vein, I ask you, “What is this photograph about, the swimmer or the water? Without the water, we wouldn’t have a swimmer, and yet the swimmer adds action and purpose to the image. I could argue that the water has the strongest visual interest. But the water without the swimmer might not be eye-catching or meaningful.
So do you think this image is more about the swimmer or the water?
I’m challenging myself with learning a new discipline in photography. The first step is having a digital mirrorless camera converted to capture infared light, and I’m learning about the techniques for capturing and processing these new types of images. But the camera won’t be back in my hands for a few weeks.
In the meantime, I was daydreaming about the places I would love to photograph with the infared camera — like the Florida Everglades and Joshua Tree National Park in southern California. With the limitations on travel during the pandemic, those excursions will come to pass down the road.
The scenery of Joshua Tree is fresh in my mind, since I visited the park in 2018. I decided to process one of my color photographs in black and white, as a first step in my journey to see in black and white. What do you think?
Are you finding ways to exercise your creativity during Isolation? I hope I can inspire you to play a little. Of course, first things come first: we pray, we clean, we prepare meals, we help our neighbors, we work remotely, we stay in touch over the Internet, we catch up on our sleep, we read, we exercise and then we do it all over again.
But for the first time in a long time, the rat race has paused. You can actually be patient when driving a car. You can smile and say hello to strangers you pass outside. You can reflect about life and how to live a better life when normalcy returns. And you now have time to be creative. It’s okay to amuse yourself — draw, write, cook — whatever pursuit suits you.
I have been experimenting with my Lensball, which I ordered in December, but have been too busy doing everything else until now. It is a carefully manufactured and polished spherical prism. When you take a photo of it, the image you see is reflected on the back and then the front of the sphere and it appears upside down. Don’t let this stop you. You can always invert the image in photo editing software if you need to. There are endless creative possibilities. (You just have to be very careful to keep the lens ball out of strong direct sunlight, as it heats up in about 2 seconds and can burn your fingers!) You can guess how I discovered this outdoors in southwest Florida.
A good photograph of Cathedral Rock reflected in Oak Creek was the “money shot” for me during a recent visit to Sedona. I had to select a day with good weather, find the location, get there close to sunset, carry the tripod and convince my husband this was a good idea. I’m not sure which part was the hardest, but I got several different shots, which I am pleased to share with you.