Having converted a Sony mirrorless camera (a6300) to “Infared and SuperColor,” I’m now learning how to process these odd images. When you capture an image with infared light and visible light only 590 nanometers and up, you get some unique color effects, so you need to adjust white balance, swap blue and red, set white and black points, adjust the tonality of each color and adjust hue and saturation. While that sounds like a ridiculous amount of work, the process becomes interesting because you learn about what each individual color (red, green and blue) is doing and how each individual color looks as it interacts with the others.
While you may or may not find that color study interesting, you will probably like the creative possibilities in the different results one can achieve. Here are some examples:
You know the age-old question: what came first, the chicken or the egg? You can’t have one without the other, right? In the same vein, I ask you, “What is this photograph about, the swimmer or the water? Without the water, we wouldn’t have a swimmer, and yet the swimmer adds action and purpose to the image. I could argue that the water has the strongest visual interest. But the water without the swimmer might not be eye-catching or meaningful.
So do you think this image is more about the swimmer or the water?
I’m challenging myself with learning a new discipline in photography. The first step is having a digital mirrorless camera converted to capture infared light, and I’m learning about the techniques for capturing and processing these new types of images. But the camera won’t be back in my hands for a few weeks.
In the meantime, I was daydreaming about the places I would love to photograph with the infared camera — like the Florida Everglades and Joshua Tree National Park in southern California. With the limitations on travel during the pandemic, those excursions will come to pass down the road.
The scenery of Joshua Tree is fresh in my mind, since I visited the park in 2018. I decided to process one of my color photographs in black and white, as a first step in my journey to see in black and white. What do you think?
Are you finding ways to exercise your creativity during Isolation? I hope I can inspire you to play a little. Of course, first things come first: we pray, we clean, we prepare meals, we help our neighbors, we work remotely, we stay in touch over the Internet, we catch up on our sleep, we read, we exercise and then we do it all over again.
But for the first time in a long time, the rat race has paused. You can actually be patient when driving a car. You can smile and say hello to strangers you pass outside. You can reflect about life and how to live a better life when normalcy returns. And you now have time to be creative. It’s okay to amuse yourself — draw, write, cook — whatever pursuit suits you.
I have been experimenting with my Lensball, which I ordered in December, but have been too busy doing everything else until now. It is a carefully manufactured and polished spherical prism. When you take a photo of it, the image you see is reflected on the back and then the front of the sphere and it appears upside down. Don’t let this stop you. You can always invert the image in photo editing software if you need to. There are endless creative possibilities. (You just have to be very careful to keep the lens ball out of strong direct sunlight, as it heats up in about 2 seconds and can burn your fingers!) You can guess how I discovered this outdoors in southwest Florida.
A good photograph of Cathedral Rock reflected in Oak Creek was the “money shot” for me during a recent visit to Sedona. I had to select a day with good weather, find the location, get there close to sunset, carry the tripod and convince my husband this was a good idea. I’m not sure which part was the hardest, but I got several different shots, which I am pleased to share with you.
I always try to be open to a new way of seeing things. I had climbed to the top of the Vessel in Hudson Yards and taken photographs from many different angles. I was finished, and started to descend the stairs when this reflection caught my eye. Oh! I’m not finished.
If you viewed my previous blogs about Hudson Yards and the Vessel, you have an overview of the Vessel from the outside and from the top looking down inside.
Interested in visiting the Vessel for yourself? Take the New York City subway 7 train to the western terminus at Hudson Yards. Buy your tickets online ahead of time.
Early morning is a great time to walk the Brooklyn Bridge, because it’s not too crowded. On this cloudy and windy morning, I was a little sad that I missed the clear blue skies of the day before, but in the end I think the clouds enhance the image.
This photograph was shot with Sony and processed in Lightroom, Photoshop and Luminar 2018. Lightroom does a great job of correcting the distortion created by a wide angle lens.
Back to the moment when I walked the Brooklyn Bridge, winter is here! I had to hold on to my hat as I coped with the wind on the East River.
This wide angle photography taken inside New York City’s iconic structure The Vessel shows the beauty and rhythm of its geometry. Judging from the size of the people climbing the Vessel, you can appreciate its size.
In this image, you can simultaneously observe the Hudson River, the rail yards, the top of the Vessel, the intriguing blue circle at the core and the elevator track on the lower left. More on that blue circle later!
I feel the best aspect of the image is the symmetry of the staircases. Does the childhood board game “Chutes and Ladders” come to mind? The copper outlines really stand out against the dark grey flooring and glass panels. I just love this design!
You can find The Vessel in Hudson Yards by taking the New York City subway 7 train to its western terminus.