I’ve been thinking that Creativity really means that you let your mind go. Let it spin. Close your eyes and wonder where can you go next. You try something new and find out if it works. You give yourself freedom to experiment. It comes from having time to reflect and the guts to try a new path. Selectively, you embrace some rules and discard others.
With Infrared Photography, the new path I’ve chosen, I continue to embrace the rules that define strong composition, but I throw away the rules that tie photography to the way things truly look to the eye. Realistic color goes out the window. Green trees can be white…or yellow…or gold…or magenta. Just like they can be any color in a painting. But you say, “This is photography, and photography is realistic, journalistic, a witness to truth.” I say, “Before we had color photography, we had black and white photography, which was not true to life. It was and is widely accepted as an art form.” Right?
In that spirit, I present my latest Infrared Photograph: “Isle de Jaune.” I love this image for reasons I’m not sure I can explain in words. It is one of my favorite images of the past year. The complimentary colors and composition work for me. Are you with me?
If you are interested in a Fine Art print or even better — a metal print of this image, please visit my website and place an order online. Thanks for joining me on my creative journey.
Having admired the landscape photography of Clyde Butcher, I love to create my own photographs of tropical Florida with high contrast. Infrared photography is one method to use in making high-contrast images.
An Infrared photograph can be processed in many ways. It is the artist’s choice to use white, yellow or magenta for the green foliage, and to dial in a light or dark hue of blue or cyan in the sky and water. Of course, the image can also be rendered in pure black, white and midtowns. Does this recipe work for you?
Having converted a Sony mirrorless camera (a6300) to “Infared and SuperColor,” I’m now learning how to process these odd images. When you capture an image with infared light and visible light only 590 nanometers and up, you get some unique color effects, so you need to adjust white balance, swap blue and red, set white and black points, adjust the tonality of each color and adjust hue and saturation. While that sounds like a ridiculous amount of work, the process becomes interesting because you learn about what each individual color (red, green and blue) is doing and how each individual color looks as it interacts with the others.
While you may or may not find that color study interesting, you will probably like the creative possibilities in the different results one can achieve. Here are some examples:
You know the age-old question: what came first, the chicken or the egg? You can’t have one without the other, right? In the same vein, I ask you, “What is this photograph about, the swimmer or the water? Without the water, we wouldn’t have a swimmer, and yet the swimmer adds action and purpose to the image. I could argue that the water has the strongest visual interest. But the water without the swimmer might not be eye-catching or meaningful.
So do you think this image is more about the swimmer or the water?
Looking through my archives for color photographs that would make a satisfying black and white image made me realize that “seeing in black and white” will make me a better photographer. Any consistently successful photographer will pre-visualize the image before image capture. For starters, one evaluates dynamic range, depth of field, light quality, composition, timing of the action and whether the subject is meaningful.
To choose a good subject for black and white photography there are more factors to evaluate: tonal range and contrast, simplicity, shape, texture, interest. I like my black and white images to be strong. The image has to be eye catching and hold the viewer’s interest without the help of color. I admit, I’m a photographer who loves color, so this challenge is fun for me!
This photograph of a mother Bison and her calf grazing on top of the hillside made the cut for a color to black and white candidate. In my judgement, it has simplicity, large repeating shapes, texture in the fur, wide tonal range and plenty of interest — from the unusual wildlife sighting to the eye contact and tongue in mid-air.
Black and White photographs feel timeless, don’t they? Looking at a black and white image of a scene from the olden days seems right to me. When we visited Pioneertown near Joshua Tree National Park, I found some old style buildings like this Feed Store. As I stood on the dirt road, I admired the low evening sun shining from the right on this big Joshua Tree and the wood barn.
As I processed this image, I emulated the look of an infared light photograph by darkening the sky. The foliage was naturally bright from the sunlight. A really good black and white image includes a simple and balanced composition, bold shapes and interesting textures. This image checked all the boxes for me.
If you arrive in Pioneertown in the late afternoon as we did, you can enjoy dinner and the unique ambiance of the iconic restaurant Pappy and Harriet’s, but you will need a reservation.
I’m challenging myself with learning a new discipline in photography. The first step is having a digital mirrorless camera converted to capture infared light, and I’m learning about the techniques for capturing and processing these new types of images. But the camera won’t be back in my hands for a few weeks.
In the meantime, I was daydreaming about the places I would love to photograph with the infared camera — like the Florida Everglades and Joshua Tree National Park in southern California. With the limitations on travel during the pandemic, those excursions will come to pass down the road.
The scenery of Joshua Tree is fresh in my mind, since I visited the park in 2018. I decided to process one of my color photographs in black and white, as a first step in my journey to see in black and white. What do you think?
Apologies to my loyal followers and friends for the 6 week gap in blog posts. I have needed a healthy dose of personal time away since my mother’s death on July 17. There was not only grieving, but also the time consuming job of sorting Mom’s belongings as we had to vacate her apartment in record time.
Today, I’m back to processing photos and back to blogging too. I finished processing 26 family portraits I made as a volunteer at a local non-profit.
These brave parents love raising children, as they have seven!
Next week, I’ll be back to landscape photography, as we will fly off to Calgary and explore the Canadian Rockies: Lake Louise, Jasper and Banff. Stay tuned!
On Sunday I shot 26 family portraits as a volunteer for a Pittsburgh school for children with disabilities. To protect their privacy, we will keep the names of the school and the family private. This portrait was my favorite, thanks to the loving gesture of the grandfather. As you reflect on the smiles on the parents’ faces, you can tell they are counting their blessings too. These families give me a gift every year, by showing me where true happiness comes from.