In my opinion, a good gator is a motionless gator. I always try to keep my distance from an alligator, especially one that is watching me, because I have seen how lightening fast they move, when they bolt. This gator was floating in the fresh water of the Everglades. You can see its leg dangling in the water.
Dear Beautiful Heron, Please watch your step as you tiptoe silently through the long grasses and past the purple thistle. Do you remember those baby alligators that you like to eat? When they grow up, those big alligators might take a bite out of you. If they catch you, they will eat you whole, feathers and all.
Also silently lurking nearby in the grass is this large alligator. If he is hungry, the Great Blue Heron could be his next meal. Yikes! The food chain is merciless.
On my annual trip to Shark Valley in Everglades National Park, I witnessed something for the first time. Eight wood storks were roosting in a single tree! I frequently see one or two in Pelican Bay or on the golf course, but I have never seen so many of them together, and I had never seen them in a tree. This remarkable scene was a distance away, but my Sony lens has a 400mm reach.
These two Brown Pelicans met in the mangrove shortly after sunrise. Perched alongside one another, they looked identical. A few minutes later, they were splashing in the water nearby, breaking the silence of the early morning. Were they competing for fish, or showing territorial behavior? I honestly don’t know, but I said to my friend Marjorie, “It’s a Pelican Party over there.”
This Great Blue Heron stretched its sinuous neck to look around from its perch high in the mangrove, giving us a great view of its ventral feathers. The heron’s body formed a pleasing serpentine curve. Lucky for me, the sun was behind me and perfect on the heron and the sky.
What they say is true. The early bird gets the best light. (Maybe the worm too.). Patches of golden light filtered through the trees and lit this Great Blue Heron standing erect in the marsh. An hour later this soft, golden light was just a memory, or in this case, a photograph.
Looking through my archives for color photographs that would make a satisfying black and white image made me realize that “seeing in black and white” will make me a better photographer. Any consistently successful photographer will pre-visualize the image before image capture. For starters, one evaluates dynamic range, depth of field, light quality, composition, timing of the action and whether the subject is meaningful.
To choose a good subject for black and white photography there are more factors to evaluate: tonal range and contrast, simplicity, shape, texture, interest. I like my black and white images to be strong. The image has to be eye catching and hold the viewer’s interest without the help of color. I admit, I’m a photographer who loves color, so this challenge is fun for me!
This photograph of a mother Bison and her calf grazing on top of the hillside made the cut for a color to black and white candidate. In my judgement, it has simplicity, large repeating shapes, texture in the fur, wide tonal range and plenty of interest — from the unusual wildlife sighting to the eye contact and tongue in mid-air.
Black and White photographs feel timeless, don’t they? Looking at a black and white image of a scene from the olden days seems right to me. When we visited Pioneertown near Joshua Tree National Park, I found some old style buildings like this Feed Store. As I stood on the dirt road, I admired the low evening sun shining from the right on this big Joshua Tree and the wood barn.
As I processed this image, I emulated the look of an infared light photograph by darkening the sky. The foliage was naturally bright from the sunlight. A really good black and white image includes a simple and balanced composition, bold shapes and interesting textures. This image checked all the boxes for me.
If you arrive in Pioneertown in the late afternoon as we did, you can enjoy dinner and the unique ambiance of the iconic restaurant Pappy and Harriet’s, but you will need a reservation.
I’m challenging myself with learning a new discipline in photography. The first step is having a digital mirrorless camera converted to capture infared light, and I’m learning about the techniques for capturing and processing these new types of images. But the camera won’t be back in my hands for a few weeks.
In the meantime, I was daydreaming about the places I would love to photograph with the infared camera — like the Florida Everglades and Joshua Tree National Park in southern California. With the limitations on travel during the pandemic, those excursions will come to pass down the road.
The scenery of Joshua Tree is fresh in my mind, since I visited the park in 2018. I decided to process one of my color photographs in black and white, as a first step in my journey to see in black and white. What do you think?
When travel restrictions keep a photographer at home for months at a stretch, it’s a perfect time to exercise one’s creativity with new ways to process images in the archives. On this sunny day in June, I pulled up one of my favorite images of 2020: my daughter and son-in-law on a dog sled in Wyoming with a stunning background.
I was so happy that my dogsled, traveling just behind Courtney’s sled stopped in an opportune spot for me to frame her sled before tall pines, snow-capped mountains and a happy sky, blue with puffy clouds. And for just one second, Courtney and her husband Scott looked up at me and smiled. The triangular composition gives the scene balance and also offsets the white dogs.
Our winter adventures in Jackson Hole will give us some interesting options for holiday cards this year, and maybe a 2021 calendar. I’m sure your photographs from your family trips bring you joy at this time.