As an artist, I’m inspired to experiment. And so on a sunny afternoon in South Florida, I captured this infrared photograph in a pine forest.
Infrared photography is a ripe medium for experimentation, as I find so many choices are available in processing. Shall I go black/white, blue/white, cyan/orange? To fully embrace infrared photography, which only captures invisible light above the red spectrum, you need to let go of reality as your eye defines it. Then, you are free to see the world in a brand new way.
On first impression, the swamp is chaotic. With its high canopy, most of the scene is dark with shadow. The day’s bright sunlight barely filtering through. Large tree trunks, felled by past storms lie at random angles and decay. Walking the boardwalk, I look down into the murky water for alligators, frogs and snakes. I hear a variety of bird calls, but looking around and above me, I cannot spot the birds.
I walk and observe my surroundings for more than an hour. My vision is drawn to the ferns, which spring from the decaying tree trunks and at times fill in a section of the swamp. I see the color, the pattern and the contrast of a narrow trunk, speckled with lichen. I have found a composition. As I work with the image later, I developed a painting. What do you think?
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There are so many reasons to like the Brown Pelican. I love to watch them dive for fish along the Gulf Coast of Florida. They are so big with a length of a meter and wingspan of 2-3 meters, yet they are docile and quiet.
Yet another important reason to love brown pelicans is the important role they play as an indicator species to help humans monitor the effects of climate change. We can monitor their numbers and migration to help understand the changes in fish population.
Getting out to photograph nature in 2020 has been challenging. I’ve become better acquainted with the parks near my home than ever before, but last week was different. My husband and I drove to New York City for a family visit. Seeing the family after a long wait was terrific, but it was also fun to visit the New York Botanical Garden and within it, the tropical plants in the beautiful Enid Haupt Conservatory.
Walking through the Haupt Conservatory, we were surrounded by ferns, palm trees, an assortment of cacti and lots of unfamiliar and varied green plants. Since it wasn’t crowded at all, we could take our time, and I could take photos!
Sunshine streamed through the windows at high noon, so conditions were perfect for Infrared Photography — my new creative pursuit. With a Sony a6300 camera converted to see only Infrared light and part of the visible light spectrum, only above 590 nanometers, I captured a dozen or so images. It was fun to have a fresh subject to shoot, and some new infrared images to process.
Here is one of my Conservatory images of (visibly green) foliage looking quite different in infrared.
Having converted a Sony mirrorless camera (a6300) to “Infared and SuperColor,” I’m now learning how to process these odd images. When you capture an image with infared light and visible light only 590 nanometers and up, you get some unique color effects, so you need to adjust white balance, swap blue and red, set white and black points, adjust the tonality of each color and adjust hue and saturation. While that sounds like a ridiculous amount of work, the process becomes interesting because you learn about what each individual color (red, green and blue) is doing and how each individual color looks as it interacts with the others.
While you may or may not find that color study interesting, you will probably like the creative possibilities in the different results one can achieve. Here are some examples:
I’m challenging myself with learning a new discipline in photography. The first step is having a digital mirrorless camera converted to capture infared light, and I’m learning about the techniques for capturing and processing these new types of images. But the camera won’t be back in my hands for a few weeks.
In the meantime, I was daydreaming about the places I would love to photograph with the infared camera — like the Florida Everglades and Joshua Tree National Park in southern California. With the limitations on travel during the pandemic, those excursions will come to pass down the road.
The scenery of Joshua Tree is fresh in my mind, since I visited the park in 2018. I decided to process one of my color photographs in black and white, as a first step in my journey to see in black and white. What do you think?
When travel restrictions keep a photographer at home for months at a stretch, it’s a perfect time to exercise one’s creativity with new ways to process images in the archives. On this sunny day in June, I pulled up one of my favorite images of 2020: my daughter and son-in-law on a dog sled in Wyoming with a stunning background.
I was so happy that my dogsled, traveling just behind Courtney’s sled stopped in an opportune spot for me to frame her sled before tall pines, snow-capped mountains and a happy sky, blue with puffy clouds. And for just one second, Courtney and her husband Scott looked up at me and smiled. The triangular composition gives the scene balance and also offsets the white dogs.
Our winter adventures in Jackson Hole will give us some interesting options for holiday cards this year, and maybe a 2021 calendar. I’m sure your photographs from your family trips bring you joy at this time.
Ansel Adams made an iconic photograph of the Snake River Valley looking toward the Grand Tetons from this very spot in Jackson Hole in 1942. So, with my Sony mirrorless digital camera and the latest software, I followed the master’s lead and made this vibrant color image at sunset in late September 2018.
The view was even better in Adams’ day, because the Snake River made a serpentine curve leading the eye to the mountains. Today trees obscure part of the river from this lookout. It was still exciting to walk in Ansel Adams’ footsteps 76 years later.
“Okay, perfect. Now, stand up straight with one foot in front of the other, step into the sunlight, look at me, and hold it right there.” Snap!
If only a wild bird would follow directions like that! If only a beautiful roseate spoonbill would show up when you go out with your camera hoping to capture something interesting. In the wild, the photographer shows up often and prepared with know how and good equipment hoping that the birds and the events will happen someday.
When it is time to process a digital image, some experience with Adobe Photoshop and Lightroom comes in handy. I was grateful to be prepared when this Roseate Spoonbill and I met at Corkscrew Swamp Sanctuary.
In the age of iPhone photography, most people seem to think that shooting a photo is all there is to it. Well, first you have to see the image, that is pre-visualize it as an interesting two dimensional image. Next, you have to have a camera or iPhone with you. Third, you need to compose the image and click. Then, many will share the image instantly on social media. Done.
Often you will get pretty cool results with that workflow, but professionals know there is much more to image making. Much expertise goes into lens choice, camera settings for depth of field, selective focus, and then processing. My workflow includes processing first in Adobe Lightroom, then Photoshop, and sometimes even a third application such as Topaz or Nik/Google applications. The impact of this tulip image is the result of my experience with shooting choices as well as processing choices.
A non-photographer will often ask the question, “Is that photoshopped?” as if the question were really, “is it real?” I like to explain that processing a digital photo with image editing software like Lightroom and Photoshop is an essential part of the creative process. I MAKE an image. I don’t just TAKE and image. Using Photoshop to process images is, in fact, my job.