These White Pelicans reminded me of swans as I watched them forage together and look like mirror images of each other. As these three swam away from me and kicked up ripples on the surface, they looked back toward the camera.
White Pelicans are true “snow birds,” as they migrate to Southwest Florida in winter from the Great Lakes region. Dozens of them return to Sanibel Island every year.
Fact or Fiction? In fact, you see the blue lake and the wind blowing the green palms in the soft light of dusk. In January, the blue water, green palms and white puffy clouds are quite agreeable. Yet, the scene is unremarkable in Florida.
But there is another true way to see this same scene in real time. See this scene with infrared light and the palms glow with golden light. The chubby palms emerge from the edge of a very dark lake. And the sky? I see white puffy clouds and a bit of blue sky. It’s a curious combination, but it’s real.
I’ve been thinking that Creativity really means that you let your mind go. Let it spin. Close your eyes and wonder where can you go next. You try something new and find out if it works. You give yourself freedom to experiment. It comes from having time to reflect and the guts to try a new path. Selectively, you embrace some rules and discard others.
With Infrared Photography, the new path I’ve chosen, I continue to embrace the rules that define strong composition, but I throw away the rules that tie photography to the way things truly look to the eye. Realistic color goes out the window. Green trees can be white…or yellow…or gold…or magenta. Just like they can be any color in a painting. But you say, “This is photography, and photography is realistic, journalistic, a witness to truth.” I say, “Before we had color photography, we had black and white photography, which was not true to life. It was and is widely accepted as an art form.” Right?
In that spirit, I present my latest Infrared Photograph: “Isle de Jaune.” I love this image for reasons I’m not sure I can explain in words. It is one of my favorite images of the past year. The complimentary colors and composition work for me. Are you with me?
If you are interested in a Fine Art print or even better — a metal print of this image, please visit my website and place an order online. Thanks for joining me on my creative journey.
After a month-long visit with the grandchildren, it’s time to get back to the photography, and I began yesterday with a midday walk on the beach. The sky was clear and blue, and the sunlight was strong — perfect conditions for Infrared Photography.
I like the way the sun gives the palms and the sky this nice contrast. I chose to process this “super color” image with the palms rendered in a golden yellow, even though they look green to the eye and with the rest of the image in high contrast black and white.
I enjoy experimenting with Infrared Photography, because it’s a new way of looking at the world around us.
A second floor sleeping porch, the perfect place to catch a breeze on a hot, muggy night might remind you of houses in Charleston or Savannah or New Orleans. But this picturesque home is found in Sewickley, Pennsylvania where I live.
Painted white with black shutters and shrouded with green trees, it seemed like a good subject for infrared photography — a medium that shows green foliage as white.
I have just started this week experimenting with Infared photography, having bought a Sony 6300 camera and having sent it to LifePixel to have it converted to “Super color” Infared. Stay tuned to this blog for more interesting results.
The rising of the Pink Supermoon last week was an ideal occasion to test the sharpness of my new Sony a2rIV camera and the 200-600 mm Sony lens. The reach and exceptional clarity of this high tech team made me a believer!
The most effective way to photograph the night sky is with a DSLR camera in manual mode, mounted on a tripod and exposed for the moon. The purpose of using a 600 mm lens (as opposed to a 200 mm or a 50 mm lens) is that the far distant object, in this case the moon, will appear far larger in your frame. The purpose of expensive, high quality glass (lens) is clarity of its focus. In addition to choosing the appropriate camera and lens, you will also benefit from the know-how to shoot in RAW mode and process in Photoshop, Lightroom and Luminar. I share with you the results of bringing all these methods to bear on our opportunity.
Wildlife doesn’t pose, and it doesn’t wait for you. To become a successful wildlife photographer, you need to be prepared, have some knowledge of animal behavior, be prepared and anticipate what may happen next. (These rules also apply to candid photography of people too!)
The other axiom I say to myself often is: the more often you go out, the luckier you get. Put another way, if you stay home, you won’t get the shot, for sure!
I identify myself as a mother more than any other role, so a glimpse of mother and child in the animal kingdom is a moment with special resonance for me. While photographing this majestic Great Horned Owl, I noticed something fuzzy moving near the owl. Hmmm. I kept my finger on the camera trigger, hoping to capture a moment when the owlet would peer over the edge of the nest.
Remember the expression, “Mothers need eyes in the back of their heads?” I think mother owl would agree, as she keeps one eye on my dog Sophie.
I’m busy today making prints for a July 6 exhibition: the Pittsburgh Cultural Trust Gallery Crawl. It’s a fun evening, and you can find some cool photography by ASMP* photographers at 803 Liberty Avenue, Pittsburgh, PA.
I have decided to feature some of the amazing landscapes and birds I saw in Iceland last summer. Whoever said that Iceland is the land of “Fire and Ice” is right! Volcanoes have created some rugged landforms and interesting vistas. On Heimeay Island, one can just imagine how frightened the residents felt when a massive eruption woke them in the middle of the night in January 1973. (All residents fled via fishing boats in the harbor, and the eruption continued for two years.)
Then you can experience “Ice” even in mid-July, as you bundle up in a parka, hat and gloves and strap spikes to your boots for a hike on an icy, albeit melting, glacier. This glacier was atop an extinct volcano on the Snaefellsness Peninsula.
Please come to the Pittsburgh Gallery Crawl on Friday evening July 6. It’s free.
*American Society of Media Photographers: ASMP.org.
Friday July 7 is a great evening for a one-time photography show in Pittsburgh. The ASMP (American Society of Media Photographers) photographers will be exhibiting their recent personal work in the Cultural Trust Building, 4th floor: 807 Liberty Avenue. We have an annual tradition of putting on this one-night exhibit. Each year the art is diverse and fascinating, and most of the artists are there to talk to. We start at 5:30 pm. Please come meet us and enjoy dinner in the neighborhood.
These five of my prints will be on display and for sale. Hope to see you!