Jackson Lake water levels are at record lows this Fall (in 2021) after a very dry summer. From this location on the dry lake bed, we could see mist rising on a cold Fall morning and snow covered Mount Moran in the background.
Hurricane Irma lashed Naples Florida in early September 2017, stripping and uprooting trees, knocking out power and damaging homes. Three and a half years later, the year-round tropical growing season has filled in the gaps and erased most signs of Irma’s destruction. The landscape looks lush and green again.
This mangrove preserve in Pelican Bay still tells the story of Irma, when she stripped the trees bare of leaves close to the Gulf coast. This infrared photograph shows some of those bare tree trunks along the boardwalk that leads to the beach.
Having converted a Sony mirrorless camera (a6300) to “Infared and SuperColor,” I’m now learning how to process these odd images. When you capture an image with infared light and visible light only 590 nanometers and up, you get some unique color effects, so you need to adjust white balance, swap blue and red, set white and black points, adjust the tonality of each color and adjust hue and saturation. While that sounds like a ridiculous amount of work, the process becomes interesting because you learn about what each individual color (red, green and blue) is doing and how each individual color looks as it interacts with the others.
While you may or may not find that color study interesting, you will probably like the creative possibilities in the different results one can achieve. Here are some examples:
I’m challenging myself with learning a new discipline in photography. The first step is having a digital mirrorless camera converted to capture infared light, and I’m learning about the techniques for capturing and processing these new types of images. But the camera won’t be back in my hands for a few weeks.
In the meantime, I was daydreaming about the places I would love to photograph with the infared camera — like the Florida Everglades and Joshua Tree National Park in southern California. With the limitations on travel during the pandemic, those excursions will come to pass down the road.
The scenery of Joshua Tree is fresh in my mind, since I visited the park in 2018. I decided to process one of my color photographs in black and white, as a first step in my journey to see in black and white. What do you think?
Early morning is a great time to walk the Brooklyn Bridge, because it’s not too crowded. On this cloudy and windy morning, I was a little sad that I missed the clear blue skies of the day before, but in the end I think the clouds enhance the image.
This photograph was shot with Sony and processed in Lightroom, Photoshop and Luminar 2018. Lightroom does a great job of correcting the distortion created by a wide angle lens.
Back to the moment when I walked the Brooklyn Bridge, winter is here! I had to hold on to my hat as I coped with the wind on the East River.
I know: the typical line on a scenic post card is “Having a great time, and wish you were here.” This weekend the opposite was true. My daughter Erin was hiking and loving the scenery in Grand Teton National Park, and I wished I were there!
My memories are fresh and sweet from Grand Teton National Park, because I was there recently in late September 2018 for six days of photography from before sunrise to after sundown. I’ll look up an image that I haven’t already shared with you.
Jackson Hole, I will be back! While some of roads are inaccessible in winter, I’m sure the Tetons are beautiful in all four seasons.
While the sun’s brilliant orb slipped behind the Grand Tetons, the clouds reflected the orange glow of sunset. That evening the clouds took on a rippled texture as well as a misty, ethereal quality. We could feel the temperature fall. The light show was brief. Soon it would be dark.
A truly great sunset photo requires a good foreground. You know, the parking lot or the neighbor’s house won’t do. Many of us head for the mountains or the sea to watch the sunset and capture the fleeting natural beauty in a photograph.
But the second ingredient in a great sunset photos is the sky. The texture and the reflections of the golden light in the clouds separates the good sunsets from the great ones.
Both the foreground and the amazing clouds came together along the banks of the Snake River on this magical evening in Grand Teton National Park. Mount Moran and the Grand Teton mountain range, although backlit, made a pretty majestic foreground. For scale, notice the tiny boats on the left side.
What can I say about the clouds? As wispy as cotton candy and as vivid as a flame?
It was another dark and frosty morning before dawn, when I found myself trudging down a dirt road with my camera backpack on my back and tripod in my gloved hand. At least two dozen photographers had already arrived at this iconic location, and many were in no mood to share their space.
Finding a spot along the edge of a creek, I waited for the rising sun to color those wispy clouds pink. What I like most about the final image is the warmth of the barn, the grass and the foliage in contrast to the cool blue and grey in the sky and the mountains.
On my first evening in Jackson Hole, I was blessed to witness a magical sunset behind the Grand Teton mountain range. I cannot tell you how different every sunset was during my week in Jackson Hole. The clouds, the colors, the lack of clouds — you never know what will develop. Every minute during a sunset is also unique. Here is one of those fleeting moments during sunset behind the Grand Tetons from Cunningham’s Cabin in Grand Teton National Park.
If you like this image, stay tuned to this blog. I have just begun to process my images from numerous sunrise and sunsets in different scenic locations in Grand Teton National Park. Soon, you will be planning your own trip!