I was attracted to the silhouette of this lizard along the lake and moved in slowly, hoping he wouldn’t dash away before I got the shot. As I examined the photograph later, I discovered the lizard was mostly green, and brown in the tail. I’m guessing now that the lizard had turned green while sitting in the grass, and was in the process of changing to brown to match the rock where it was now sitting.
An active geothermal field of steaming, bubbling, and erupting hot water can be found a few hours from Reykjavik, Iceland. The “Litli Geysir” (little gusher, pronounced “gay-zeer”), is the name and place that originated the English word “geyser.”
The geothermal field reveals its wide color palette, from yellow to green to blue and purple. Steam escapes from many vents in the Earth.
Photographing flowers at the New York Botanical Garden with my daughter Erin, I was treated to eye dazzling displays of pink and green, especially in the peony garden. But the rock garden offered some different visual treats. One of them was this delicious juxtaposition of velvety crimson and a frosty green. I loved the way the frosty green ferns framed the spherical peony blossom.
On September 7, this lizard made my day. I captured several good photos of him on this choice orange flower, showing the sticky toes, the blue eyebrow, the color streaked back and the purple tongue. I highly recommend a stop at the Hawaiian Botanical Garden if you are visiting the Big Island of Hawaii. It is located in the rainforest just north of Hilo, off Route 19 on the “scenic route.”
I continue to practice ICM (intentional camera movement) while I have easy access to sunsets over the Gulf. I love to see the sunset through this unique lens: the horizontal lines blurred to the point of near abstraction and the colors enhanced in vibrance and contrast. I was attracted to this image because of the criss-crossing lines of the waves. Comparing fiction and fact, painting and photography, I like to say, “you can’t make this stuff up.” Compare this image to the sunset ICM image in my previous blog. How would you compare the mood of each?
I continue to experiment with ICM (Intentional Camera Movement). A good subject is one with strong contrast and strong vertical, horizontal or circular lines — any lines that can be accentuated with camera movement. Last time, I used a vertical subject, trees reflected in a pond, and this time I used the strong colors of sunset over the Gulf of Mexico.
I like the peace and serenity of the selective blur. I also find myself studying longer the colors and lines and the blend of hues. Here you can compare the the ICM image with the still photo. Do you find the ICM image more moody? Which image do you prefer to look at longer?
I did minimal processing to the ICM image: just some tweaking of the contrast, clarity, vibrance and highlights and some spot removal. The streaking effect was achieved by moving the camera during a .6 second exposure. To lengthen the exposure, I lowered the ISO to 100 and closed the aperture down to f/22.
Experimenting rewards my desire to create, because every image is different. Will I find a market for this genre?