“Ghost Tulip” is my own affectionate name for this unique tulip that reminds me of the Ghost Orchid, the elusive tropical orchid that blooms in Florida in mid-summer. Seasonal Florida residents can’t catch a glimpse of the ghost orchid, since they have months ago fled to northern climes.
My good friend Sharon was patient with me as I composed, focused and captured 64 photographs at the Phipps Conservatory Spring Flower Show. I shared with her my thoughts on photographing flowers.
“I’m mainly concerned with finding good compositions here. The background must be simple yet show some depth. If I choose a single flower to dominate the composition, it’s helpful to have a second flower play best supporting actor, to echo the main actor, but play a secondary role, as in this composition,” I added.
Later, “I mentioned that a star pattern is always a good thing, as is an S curve or a diagonal.”
“Why?” she asked. “Ha, ha, good question,” was my reply.
The shimmering golden aspens of the Rocky Mountains are known for their white trunks and brilliant fall color, but did you know their biological secret? Clumps of aspen trees are actually clones of each other. Yes! They share the same DNA.
“One aspen tree is actually only a small part of a larger organism. A stand or group of aspen trees is considered a singular organism with the main life force underground in the extensive root system.”
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I can hear these words echo in my mind, “The Moon carries tremendous visual weight.” My photography mentors remind me to consider this when I compose a frame with the moon. I am listening. The viewer’s eye is immediately drawn to the moon. To create balance in the composition, the other side of the frame needs some “weight.” That’s where the Grand Teton comes in, the high peak on the right.
This image also features a contrast of cool and warm tones. The blue and grey in the sky and mountaintops contrast the warmly lit fall color in the trees and grasses in the valley. Good morning, Jackson Hole! I’m enjoying a deep breath of your fresh air and cool Fall temperatures. It’s time for a warm cup of coffee.
A meadow full of lupines stretch far into the dark edge of the woods. Here are a few compositional tips. When you frame a photograph, it is a good idea to consider the foreground, middle ground and background, letting the foreground elements lead your eye through the frame.
Shallow depth of field makes the three well lit lupines in the foreground stand out. The countless lupines in the middle ground tells the story that the meadow stretches out a long way, and the dark background at the upper left allows the eye to exit.
Did you notice the star shaped leaves in the lower center? This helps to balance the composition. Did you notice the lack of distracting elements — Nothing that distracts or detracts from the main subject?
As you consider these factors of light, fore/middle/background, S curves, shapes, lack of distractions and depth of field, you are well on your way to learning how to create a dynamic (rather than a static) image.
Many nature photographers prefer to shoot on cloudy days, when the dynamic range is not too wide for the camera to capture, and sharp shadows don’t create issues. In other words, the experienced photographer can be assured of capturing detail in both the highlights and the shadows. But sunlight very early and very late in the day creates other nice opportunities. For example, in this photograph in Six Mile Cypress Swamp in Fort Myers, Forida, the shadows made good leading lines, as did the sunlight coming in from the upper right corner. All those lines converge in the low center of the frame. The blue sky made a vivid reflection in the still water, and the yellow sunlight in the background adds some warmth.
This time of year when we experience fewer bright sunny days, we appreciate what sunshine can do for our mood. I certainly feel more energetic and upbeat on a sunny day. How about you?