Driftwood in Infrared

This driftwood stump caught my eye while I was walking the beach, as I noticed grasses growing out of the center. The scene spoke to me of both the passage of time and the regeneration of life, naturally occurring. Looking it over, I saw a simple composition that would be interesting to photograph with my Infrared camera.

Grasses growing out of an old tree stump on the beach in Naples, Florida. Infrared Photograph processed to grayscale and ochre with high contrast in the sky, creative choices of the artist.

Do you find this image both peaceful and intriguing? I’d love to hear your thoughts.

An Infrared Book Idea

Infrared photography can really open your eyes and unleash your inner artist. There are so many ways to process an image that captures visible and invisible light above 590 nanometers, that the creative possibilities for rendering a simple scene can be inspiring. Let me explain.

When I go out to shoot Infrared photos, I look for simple compositions (less is more) with interesting shapes, strong contrast and often, a sky. For example, a an image that includes sunlit foliage against the sky will be high contrast. Walking around your familiar environment, you can find these elements. (A perfect COVID-safe activity!)

Sunlit palm tree against a clear sky at the Naples Botanical Garden, February 2021. My high-contrast black-and-white Infrared photographs are the most popular images, since black-and -white photography is fully accepted and widely appreciated. This image makes a dramatic large print.

When you begin to process at the computer, the fun begins. Using some special techniques, you can render the image in black and white, or blue and white, or blue and yellow, or blue and pink, for example. The possibilities are not exactly endless, as they are derived from manipulation of the red and cyan color channels, but there is lots of space for experimentation and expression of personal taste.

The body of work I have created with Infrared photography and creative processing at the Naples Botanical Garden gave me the idea of putting together a book that includes a variety of processing applications. When I share a single print, I get mixed reactions from people who don’t know what to make of this imaging style. I find myself explaining that black and white photography is “not reality,” but it is revered, and has been a part of our art culture for a hundred years. And consider this: fine art painters take liberties with colors, making choices express feelings and moods, rather than literal “photographic” reproduction. In contemporary art, painters have been freed from even a literal rendering of form when they paint in the abstract, right?

I find that most people don’t understand Infrared Photography, as it is uncommon. I am proud to be an Infrared pioneer, and I hope you will join me and enjoy it.

Bamboo Grove

My eyes were drawn to the stripes on these bamboo trunks. These tropical trees are so strong and sturdy, that they are used to make scaffolding in Hong Kong. I remember seeing them when I visited HK in 1998 — just a few years ago!

This photograph shows the striped trunks of bamboo at the Naples Botanical Garden, February 2021. Shot with Sony a7rIV, processed in Photoshop and Luminar 4.

Every time I visit the Naples Botanical Garden, I notice something new. Do you have a favorite Botanical Garden nearby?

Thinking in Black and White

I’m challenging myself with learning a new discipline in photography. The first step is having a digital mirrorless camera converted to capture infared light, and I’m learning about the techniques for capturing and processing these new types of images. But the camera won’t be back in my hands for a few weeks.

In the meantime, I was daydreaming about the places I would love to photograph with the infared camera — like the Florida Everglades and Joshua Tree National Park in southern California. With the limitations on travel during the pandemic, those excursions will come to pass down the road.

The scenery of Joshua Tree is fresh in my mind, since I visited the park in 2018. I decided to process one of my color photographs in black and white, as a first step in my journey to see in black and white. What do you think?

#joshuatree, #jtnp, #joshuatreenationalpark, #blackandwhite, #silverefexpro, #nik, #nikon, #shapes, #texture, #contrast, #california, #landscape, #photography, #nature, #desert, #adobe
I love the bold silhouettes as well as the textures in the Joshua Trees found in the high desert of California. A monochrome image makes the image more about shapes, textures and contrast, as it subtracts color. Processed in Adobe Camera Raw and Nik’s Silver Efex Pro.

Picking Up the Camera Again

Staying at home during the coronavirus pandemic knocked me off my constructive and creative track with wildlife and nature photography. I found myself absorbed with cooking, cleaning, gardening and pondering the uncertainties of when restrictions will be lifted. Seriously, how long can this go on? All of us have had the rhythms of our daily lives disrupted, yes?

I knew that if I could get myself to pick up a camera and begin exploring nature in my own backyard, so to speak, that I would begin to feel like myself again. I ventured out to the newly reopened Phipps Conservatory in Pittsburgh (masked and careful), and indeed the magic reappeared. My vision and my technical skills are intact! Here is the first image I captured.

#vine, #nature, #meaning, #contrast, #why, #pink, #pinkandgreen, #phipps, #depthoffield, #focus, #photography, #sony, #sonyalpha
Can you feel the tug of Nature’s work in sharp focus, standing out before Man’s work, the Conservatory building? Yet, I believe the two elements harmonize. I see the vine as fresh, delicate, independent and strong. I made a deliberate effort to show only the vine in focus by using a wide open aperture with a short depth of field.