Back in the good old days, we rented a cottage on Cape Cod near this salt marsh. In those days, we biked the trails and spent our days on the beach and some evenings at the drive-in movie theatre. Returning to this land of great memories last week, I focused on a new aspect of the area — the quiet salt marsh at sunset.
In this stage of my life, I have devoted my time to landscape photography, and I’ve become intrigued with the artistic possibilities of Infrared photography. I drove past this marsh earlier in the day, only to be drawn back for a second look before the sun set.
My recent trip to New York City and Little Island inspired me to capture some new infrared images. Before I pull out the infrared-converted camera, I look for dynamic compositions that are simple and feature strong shapes. I also like to include both foliage and sky, if I can.
Looking from Manhattan’s Lower West Side toward New Jersey, I liked the composition framed by the concrete supports of Little Island and featuring the converging lines of the pilings in the Hudson.
I processed the Super Color image today to render the water in blue and the foliage in a golden yellow. What do you think?