Watching a bird preen his feathers reminds me of watching a girl brush her long hair. It’s pretty special to watch wildlife behavior and learn about what birds and other wildlife do naturally. But the cool thing about observing preening — or hair brushing in humans — is that you feel like you catch a glimpse of private time, where the bird (or the girl) takes a few minutes to think of herself and make herself look good and feel good. In a way, it’s intimate.
This Great Blue Heron was taking time to preen before low tide, which is time to hunt for food. Early in the morning, he was getting ready for his day. (I assume this heron was male, due to the breeding plumage, the long wispy feathers in front.) Here are a series of photos:
The Green Heron is one of the world’s few tool-using bird species. It often creates fishing lures with bread crusts, insects, and feathers, dropping them on the surface of the water to entice small fish. (Source: Cornell Lab of Ornithology.)
Just like every good movie has a great actor and strong supporting actor, every great Nature photo reads the same way. This female anhinga is a regal and fascinating bird with striking feathers and an unusual ability (for a bird) to swim underwater. But this contrasting and colorful setting, the bottlebrush tree makes this image sing.
As I adjusted my ISO to 1250 and focused on the bird, my friend Cecil said quietly to me, “That’s the money shot.” Thank you, Cecil.
There comes a time when the bald eaglets are mature enough to fly on their own, and of course, the parents still like to keep an eye out for them. We human parents can relate! The pair of Bald Eagles who have raised two eaglets in their nest near Seagate Drive in Naples, Florida are taking their first flight. Join me in observing this special stage.
On a recent Saturday, I visited three active nests of American Bald Eagles in South Florida to observe the eaglets and the pair of parents and to photograph some of the activity. The nest in Marco Island held the youngest eaglets, with two in the nest who were still weeks away from their first flight. As the eaglets moved around and stood up on the edge of the nest to take care of business — you know, to keep the nest clean — we got a good look.
Using my Tamron 150-600mm lens on my Nikon D800 mounted on a Really Right Stuff tripod, I got these close up photos, using ISO 200 around 10 am.
Perhaps a dozen spectators with a variety of cameras, long lenses, tripods, binoculars and camera phones gathered on the sidewalk at a respectful distance (behind a rope as a reminder). One told the story of last year’s drama: The father eagle was electrocuted in a power line while chasing off prey. Some time later, a new male eagle arrived on the scene, and finding eaglets in the nest, he threw them out. The young eaglets, unable to fly, plunged to their deaths. This year, the family is doing well.
“Ghost Tulip” is my own affectionate name for this unique tulip that reminds me of the Ghost Orchid, the elusive tropical orchid that blooms in Florida in mid-summer. Seasonal Florida residents can’t catch a glimpse of the ghost orchid, since they have months ago fled to northern climes.
My good friend Sharon was patient with me as I composed, focused and captured 64 photographs at the Phipps Conservatory Spring Flower Show. I shared with her my thoughts on photographing flowers.
“I’m mainly concerned with finding good compositions here. The background must be simple yet show some depth. If I choose a single flower to dominate the composition, it’s helpful to have a second flower play best supporting actor, to echo the main actor, but play a secondary role, as in this composition,” I added.
Later, “I mentioned that a star pattern is always a good thing, as is an S curve or a diagonal.”
“Why?” she asked. “Ha, ha, good question,” was my reply.
Well hidden in the dark shadows of the Cypress Swamp, undisturbed by onlookers on a distant boardwalk, the Barred Owl seemed to sleep. Bird watchers gathered, whispered and pointed toward the quiet owl. It would take a long lens (600mm), steady hands, perfect focus and the right camera settings (ISO 2000, 1/1000th) to capture a good photograph. Since our owl stayed in place and turned in our direction eventually, I got the shot.