This white Cleome stands out so beautifully in Erika’s garden. I love the delicacy of this flower and also how tall, complex and balanced it looks. If someone described me this way, I would be happy.
When I was making this photograph, I looked for a simple background, so the Cleome would take center stage. I think the yellow coneflowers, shown out of focus in the background do a nice job as “best supporting actors.”
I nudged myself to get out in the backyard and experiment with some flower photography today. Summer 2020 should be the summer of experimentation, right? I played with long exposures and spinning the camera while pressing the shutter. My favorite image was this one of my hydrangea plant that preserved the outlines of the leaves.
If you want to try this method, you need to set the camera to manual and dial in a long exposure like a third of a second. To achieve a correct exposure, you will need to stop down the lens (to perhaps f/11 or f/16), and set a low ISO (such as 100). The settings will vary for you based on the available light. Focusing is still important. Once you have achieved a good exposure with shutter speed, aperture and ISO, it’s time to play.
My first thought of a name for this brilliant bloom was “fireworks,” but I wasn’t far off. This splash of color drew me close at the Naples Botanical Garden. It’s a Starburst bush / Clerodendrum quadriloculare. I was not finding it under searches for “fireworks flower” or “tropical plants,” but my friend Erika, a gifted gardener, led me to its proper name. The Starburst bush is native to New Guinea and the Philippines. No wonder it thrives in the tropical climate of Naples, Florida in the “Garden with Latitude.”
In doing my botanical research, I was tempted to order some seeds and plants, but I don’t currently have access to a garden or gardening tools. I’m hoping my desire to dig and plant will still burn when I return to my home in Pennsylvania.
“Ghost Tulip” is my own affectionate name for this unique tulip that reminds me of the Ghost Orchid, the elusive tropical orchid that blooms in Florida in mid-summer. Seasonal Florida residents can’t catch a glimpse of the ghost orchid, since they have months ago fled to northern climes.
My good friend Sharon was patient with me as I composed, focused and captured 64 photographs at the Phipps Conservatory Spring Flower Show. I shared with her my thoughts on photographing flowers.
“I’m mainly concerned with finding good compositions here. The background must be simple yet show some depth. If I choose a single flower to dominate the composition, it’s helpful to have a second flower play best supporting actor, to echo the main actor, but play a secondary role, as in this composition,” I added.
Later, “I mentioned that a star pattern is always a good thing, as is an S curve or a diagonal.”
“Why?” she asked. “Ha, ha, good question,” was my reply.
As we take a close look at this blooming cactus, we first notice the spikes and the complimentary colors of the red flowers emerging from the green cactus body. The sunlight and shallow depth of field give us excellent clarity.
But then we notice the delicate spider web illuminated by the sun. Where is the spider, who lives in symbiosis with the cactus, not at all discouraged by the sharp spikes?
Just outside my back door, I found fraternal twins on my hydrangea bush: a pink and a blue blossom on the same plant. All the rain in the past few weeks are helping the blossoms last. Stay away, hungry deer!
The hydrangea may be my favorite flower, thanks to associations with my daughter’s June wedding as well as memories of seeing them on Cape Cod.
In the age of iPhone photography, most people seem to think that shooting a photo is all there is to it. Well, first you have to see the image, that is pre-visualize it as an interesting two dimensional image. Next, you have to have a camera or iPhone with you. Third, you need to compose the image and click. Then, many will share the image instantly on social media. Done.
Often you will get pretty cool results with that workflow, but professionals know there is much more to image making. Much expertise goes into lens choice, camera settings for depth of field, selective focus, and then processing. My workflow includes processing first in Adobe Lightroom, then Photoshop, and sometimes even a third application such as Topaz or Nik/Google applications. The impact of this tulip image is the result of my experience with shooting choices as well as processing choices.
A non-photographer will often ask the question, “Is that photoshopped?” as if the question were really, “is it real?” I like to explain that processing a digital photo with image editing software like Lightroom and Photoshop is an essential part of the creative process. I MAKE an image. I don’t just TAKE and image. Using Photoshop to process images is, in fact, my job.