While we are staying “safer at home,” I’m looking through the images I captured in February and uncovering a few hidden gems. I have found new examples of why it really pays off to wake up in the dark and get on location as the sun rises. The reflections on the lake makes this egret look regal.
This image is similar to one I blogged about in February, but it’s different with the fish in the egret’s bill. Here is another frame from moments later.
This Great Egret is no Narcissist. He’s just foraging for fish on a Tuesday morning. But his clear reflection in the lake reminded me of the Greek Myth about Narcissus, the character who fell in love with his reflection. This moment frozen in time in a still image gives the impression that the egret may have stared at his reflection for a few minutes. Of course, this moment passed in an instant.
This morning the colors reflected in the water and the ripples surrounding our Great Egret gave this image a unique ethereal quality. The smooth white egret and its reflection contrast with the color and texture of the water, bringing our eye to rest on the bird and its mirror image.
Wildlife doesn’t pose, and it doesn’t wait for you. To become a successful wildlife photographer, you need to be prepared, have some knowledge of animal behavior, be prepared and anticipate what may happen next. (These rules also apply to candid photography of people too!)
The other axiom I say to myself often is: the more often you go out, the luckier you get. Put another way, if you stay home, you won’t get the shot, for sure!
Watching and waiting for this Great White Egret to take off, I was rewarded by this sighting of outstretched white wings. With my Nikon camera shutter set at 1/1000 second, I was prepared to capture this image to share with you.
Since I also set my Nikon D800 on “continuous-high,” I have two more great frames to share. You can help me decide which one is best. I will submit one or two of these photos to the Royal Poinciana Members’ Photography Contest. The submitted photos have to be shot on the property.
Today is a rainy day in Southwest Florida, and I’m packing up for my own migration back to Pennsylvania. I’m definitely sad to leave. Looking back on my photographs in the Everglades, I found another series of three photos of the Great Egret lifting off from the swamp, showing its beautiful wings outstretched.
On my recent visit to Shark Valley in Everglades National Park, I challenged myself to photograph the Great Egret and the Great Blue Heron in flight. Both wading birds are large and beautiful while standing still or wading in the shallows, but their look is entirely different when they take flight and display their enormous wing spans.
My friend Caroline, who accompanied me on this 15-mile bike trip, noticed the exquisite silence around us as we observed the birds and watched them fish and eventually take flight. I needed to keep my lens focused on the bird, as without warning and without a sound, it would take flight. If I looked away, I would be too late to capture take-off. Freezing action and maintaining focus on the egret in flight was a serious challenge!
Here is a series of three photographs taken in quick succession. I enjoy the brilliant feathers from each angle.
This great egret wading near a mangrove tree makes a serene scene. When you take a careful look, can you see the circular bands of light reflecting up on the egret?
My favorite part of this image is the composition, in which the strong vertical lines complement the horizontal lines. In addition, the generous amount of negative space adds to the simplicity and the serenity of the image. The color palette is also simple and natural.
My camera settings were ready to capture this graceful Great Egret in flight when he lifted off. You need a fast shutter speed, the bird in focus, and a proper exposure (difficult when the bright sky is the background). I was really excited to see this egret with two wing positions and water dripping off his feet.
Since the sky was cloudy, I had my ISO set to 400. My Nikon 70-200 lens was extended to 200 to isolate the bird without moving too close to disturb him. I had my Nikon D800 set to Aperture Mode and set the aperture to f/5.6 to keep the bird in focus if he moved a bit closer or farther from me. This setting gave me the balance between wide depth of field and enough light to yield a fast shutter speed (1/1,000) to freeze action. I also employed the fast continuous shutter mode, so my camera would shoot multiple exposures with one long depression of the shutter button. Of course, you have to make these choices ahead of time, so when the bird takes off, you can pan and press the shutter button.