When travel restrictions keep a photographer at home for months at a stretch, it’s a perfect time to exercise one’s creativity with new ways to process images in the archives. On this sunny day in June, I pulled up one of my favorite images of 2020: my daughter and son-in-law on a dog sled in Wyoming with a stunning background.
I was so happy that my dogsled, traveling just behind Courtney’s sled stopped in an opportune spot for me to frame her sled before tall pines, snow-capped mountains and a happy sky, blue with puffy clouds. And for just one second, Courtney and her husband Scott looked up at me and smiled. The triangular composition gives the scene balance and also offsets the white dogs.
Our winter adventures in Jackson Hole will give us some interesting options for holiday cards this year, and maybe a 2021 calendar. I’m sure your photographs from your family trips bring you joy at this time.
The rising of the Pink Supermoon last week was an ideal occasion to test the sharpness of my new Sony a2rIV camera and the 200-600 mm Sony lens. The reach and exceptional clarity of this high tech team made me a believer!
The most effective way to photograph the night sky is with a DSLR camera in manual mode, mounted on a tripod and exposed for the moon. The purpose of using a 600 mm lens (as opposed to a 200 mm or a 50 mm lens) is that the far distant object, in this case the moon, will appear far larger in your frame. The purpose of expensive, high quality glass (lens) is clarity of its focus. In addition to choosing the appropriate camera and lens, you will also benefit from the know-how to shoot in RAW mode and process in Photoshop, Lightroom and Luminar. I share with you the results of bringing all these methods to bear on our opportunity.
Watching and waiting for this Great White Egret to take off, I was rewarded by this sighting of outstretched white wings. With my Nikon camera shutter set at 1/1000 second, I was prepared to capture this image to share with you.
Since I also set my Nikon D800 on “continuous-high,” I have two more great frames to share. You can help me decide which one is best. I will submit one or two of these photos to the Royal Poinciana Members’ Photography Contest. The submitted photos have to be shot on the property.
We arrived at Naples Pier about 10 minutes before sunset. My friend Marjorie warned me, “It’s going to go fast,” and she was right. We needed to pick a spot for a sunset photo quickly among scores of others who were on the beach for the very same reason, to witness the sunset and preserve the memories with photography.
I realized that the sun was going to slip behind the pavilions at the end of the pier, creating an opportunity to photograph the sun as a sunstar with rays. When the sun or other bright light source is clipped by a foreground object, you can create this type of image by stopping your lens down to f/16. (This assumes you know how to manually set your camera!) If not, no worries. Just enjoy this image of a beautiful end of an equally beautiful day.
Click on the image to enlarge. Need a print? Please visit my website anytime.
Happy news: the Bald Eagle pair close to my home in Naples has an eaglet in the nest. One lucky observer saw the eaglet peering over the side of the nest. When I visited the nest, located high in a pine tree yesterday, I did not see the eaglet, but I did observe one of the parents standing guard, looking all around. After a few minutes I observed the parents feeding the eaglet. It was tearing little bits of pink flesh from some prey to feed to its young.
Male and female eagles look alike, so you can only tell the sex of the parent by seeing them together. Often the female is larger. Both parents participate in parenting by taking turns guarding the nest and hunting for food. The eagles know enough to guard the eaglet from an incoming predator like an osprey or iguana.
I will be stopping by frequently in the coming weeks to watch for the eaglet.
If you can find a reflection of your main subject in a landscape photograph, you will create a unique image that will hold the viewer’s attention even longer. Sometimes, you need to be a bit creative to find those reflections as big lakes don’t appear on command. When I noticed a few puddles in the red rock flats of Red Rock Crossing, I lined myself up to see if I could see a reflection. What I found was quite an interesting foreground.
A good foreground and middle ground leading to the focal point of the image leads the eye through the image and allows the whole image to work together for a pleasing visual experience. The soft side lighting of sunset also enhances the tranquility of the image.
I hope this scene inspires you to visit Sedona and explore the many trails and viewpoints. Sedona is just 90 minutes’ drive north of the Phoenix Sky Harbor airport. Keep an eye on this online gallery for more of my unique Sedona landscapes. Prints of many different sizes can be ordered online.
While I didn’t like the post in the center of the top image, the osprey in flight looked amazing. I like to photograph wildlife in action and let the image tell a story of wildlife behavior when possible. To achieve this, you need a fast shutter speed that will freeze action and produce a sharp image. It helps when the subject is well lit and the photographer is facing away from the sun. There is some luck involved, but practice, practice, practice allows you to be “lucky” and successful more often.
Ten days ago, I was biking in the Everglades National Park, working hard to get some photographs of the Great Egrets and Great Blue Heron in flight. I write to you today from my desk in Pennsylvania, because my efforts paid off and I have more images to share!
For you photographers out there, I had to use ISO 2500 in order to freeze motion with a shutter speed of 1/1000 and keep the aperture wide enough to achieve enough depth of field that the heron would not fly out of my focus zone too quickly. My camera is the Nikon D800, with the Nikon 70-200 mm lens, handheld. When birds take flight, it is a challenge to keep them sharp in the final image.
The success of this image reminds me of why I prefer still photography to video: with a print, one can freeze this moment to enjoy forever. All of these camera settings worked to create an image you can enjoy as a 10″ x 10″ print, available on my website.
“Ghost Tulip” is my own affectionate name for this unique tulip that reminds me of the Ghost Orchid, the elusive tropical orchid that blooms in Florida in mid-summer. Seasonal Florida residents can’t catch a glimpse of the ghost orchid, since they have months ago fled to northern climes.
My good friend Sharon was patient with me as I composed, focused and captured 64 photographs at the Phipps Conservatory Spring Flower Show. I shared with her my thoughts on photographing flowers.
“I’m mainly concerned with finding good compositions here. The background must be simple yet show some depth. If I choose a single flower to dominate the composition, it’s helpful to have a second flower play best supporting actor, to echo the main actor, but play a secondary role, as in this composition,” I added.
Later, “I mentioned that a star pattern is always a good thing, as is an S curve or a diagonal.”
“Why?” she asked. “Ha, ha, good question,” was my reply.
It’s certainly a challenge to photograph birds in flight. Your shutter speed must be fast enough (1/1000 second) and your depth of field sufficient to keep the birds in focus (f/20), as they won’t stop for you to capture your photograph. I used an ISO of 800 on a bright sunny day, to allow me to shorten the shutter speed and dial down the aperture. It helps if the birds are flying roughly parallel to your focal plane, rather than toward or away from you. And it takes practice. These beautiful birds look amazing as they come in for a landing, too.