Back in the good old days, we rented a cottage on Cape Cod near this salt marsh. In those days, we biked the trails and spent our days on the beach and some evenings at the drive-in movie theatre. Returning to this land of great memories last week, I focused on a new aspect of the area — the quiet salt marsh at sunset.
In this stage of my life, I have devoted my time to landscape photography, and I’ve become intrigued with the artistic possibilities of Infrared photography. I drove past this marsh earlier in the day, only to be drawn back for a second look before the sun set.
My recent trip to New York City and Little Island inspired me to capture some new infrared images. Before I pull out the infrared-converted camera, I look for dynamic compositions that are simple and feature strong shapes. I also like to include both foliage and sky, if I can.
Looking from Manhattan’s Lower West Side toward New Jersey, I liked the composition framed by the concrete supports of Little Island and featuring the converging lines of the pilings in the Hudson.
I processed the Super Color image today to render the water in blue and the foliage in a golden yellow. What do you think?
Processing a digital infrared image requires experimentation. Once the image has been captured, it can be rendered in many different ways. I adjust the hue, saturation and lightness of each color one at a time and make several other technical changes — like channel swapping, levels and curve adjustments. Let’s just say that processing is a lot like cooking. The chef adjusts according to taste.
Green foliage, blue skies and bright sunlight are daily staples in southwest Florida, and all three of these elements combine to make strong infrared photographs. While the look of the final image and final print will vary with your processing style, green foliage can read as white, blue skies will go dark, and bright sunlight produces high contrast. If you like black and white prints, these qualities of an infrared photo will deliver greater contrast and drama than traditional film or digital photography.
Here is a recent infrared photograph that I captured at the Naples Botanical Garden on a sunny afternoon and processed to black and white, achieving the contrast I strive for.
As an artist, I’m inspired to experiment. And so on a sunny afternoon in South Florida, I captured this infrared photograph in a pine forest.
Infrared photography is a ripe medium for experimentation, as I find so many choices are available in processing. Shall I go black/white, blue/white, cyan/orange? To fully embrace infrared photography, which only captures invisible light above the red spectrum, you need to let go of reality as your eye defines it. Then, you are free to see the world in a brand new way.
Hurricane Irma lashed Naples Florida in early September 2017, stripping and uprooting trees, knocking out power and damaging homes. Three and a half years later, the year-round tropical growing season has filled in the gaps and erased most signs of Irma’s destruction. The landscape looks lush and green again.
This mangrove preserve in Pelican Bay still tells the story of Irma, when she stripped the trees bare of leaves close to the Gulf coast. This infrared photograph shows some of those bare tree trunks along the boardwalk that leads to the beach.
This driftwood stump caught my eye while I was walking the beach, as I noticed grasses growing out of the center. The scene spoke to me of both the passage of time and the regeneration of life, naturally occurring. Looking it over, I saw a simple composition that would be interesting to photograph with my Infrared camera.
Do you find this image both peaceful and intriguing? I’d love to hear your thoughts.
The delicate curve and pattern of this palm branch and its sharp shadow that echoes on the ground drew me over to photograph this patch of ground. I chose to isolate these elements to emphasize the shapes I noticed.
When it came time to process this infrared photograph, I slid the hue for the foliage over to a hot orange. The hot orange against the white shelly gravel spoke to me about the heat of the tropics. It was a hot afternoon in sunny southwest Florida, the perfect time of day for a high contrast infrared capture.
Does a blue sky automatically lift your spirits? Do you feel more energetic and happy on sunny days? I do!
One of the cool features of “Super Color” Infrared Photography is the way you can combine a bright blue sky with a black and white image. The black/white portion of your image can emphasize texture and shape and feel a bit timeless, while a blue sky paints in the happiness.
As you look at this photograph more closely, you will notice that the black/white jungle isn’t like a typical black and white photo. The foliage is white! This Sony camera captures infrared light, and one way to process the image is to convert the foliage to white. The result is kind of surreal, but I like it!
For best results, take your infrared photographs on a bright sunny day and make sure your subject is in the sun, not the shade.
As a photographer, I’m always attracted to a scene that shows a path, because my mind questions, “Where will this path lead?” In this infrared photograph, the scene looks quite mysterious. A line of stepping stones provide a solitary path across a dark pond to a tiny Asian temple.
I feel a celebration of sunshine in the golden foliage and deep blue sky. The deliberate path to the little shrine is an invitation to personal meditation. How does this image speak to you?