In Southwest Florida, the only kind of rain we get in March is not the wet kind that falls from clouds and waters the plants. No, this time of year it rains yellow blossoms in the breeze.
I associate the perennial blooming of this lovely tree with Spring Break, since we often visited Naples, Florida when my children were on Spring Break in late March. If you take a walk in Naples today, you will see countless numbers of Tabebuia trees in bloom, raining yellow flowers. Are they as numerous as alligators in the Everglades? Well, maybe not, but much prettier.
I’ve been thinking that Creativity really means that you let your mind go. Let it spin. Close your eyes and wonder where can you go next. You try something new and find out if it works. You give yourself freedom to experiment. It comes from having time to reflect and the guts to try a new path. Selectively, you embrace some rules and discard others.
With Infrared Photography, the new path I’ve chosen, I continue to embrace the rules that define strong composition, but I throw away the rules that tie photography to the way things truly look to the eye. Realistic color goes out the window. Green trees can be white…or yellow…or gold…or magenta. Just like they can be any color in a painting. But you say, “This is photography, and photography is realistic, journalistic, a witness to truth.” I say, “Before we had color photography, we had black and white photography, which was not true to life. It was and is widely accepted as an art form.” Right?
In that spirit, I present my latest Infrared Photograph: “Isle de Jaune.” I love this image for reasons I’m not sure I can explain in words. It is one of my favorite images of the past year. The complimentary colors and composition work for me. Are you with me?
If you are interested in a Fine Art print or even better — a metal print of this image, please visit my website and place an order online. Thanks for joining me on my creative journey.
When I set out to shoot Infrared Photography with a modified camera, I usually employ a wide angle lens and look for sunny skies and green foliage that create a strong composition. The direct sun and the strong composition are key.
When I set out to shoot wildlife, I use a regular camera (not modified for infrared light) and a close up lens, so I can capture true color and detail and avoid approaching and disturbing the wildlife. My strategy and my equipment are completely different.
So, today when I was roaming the golf course along the lake with my Infrared camera and wide angle lens, I was surprised to see an Anhinga (large bird) that just happened to contribute interest to my composition. “Hello, and hold that pose!”
When travel restrictions keep a photographer at home for months at a stretch, it’s a perfect time to exercise one’s creativity with new ways to process images in the archives. On this sunny day in June, I pulled up one of my favorite images of 2020: my daughter and son-in-law on a dog sled in Wyoming with a stunning background.
I was so happy that my dogsled, traveling just behind Courtney’s sled stopped in an opportune spot for me to frame her sled before tall pines, snow-capped mountains and a happy sky, blue with puffy clouds. And for just one second, Courtney and her husband Scott looked up at me and smiled. The triangular composition gives the scene balance and also offsets the white dogs.
Our winter adventures in Jackson Hole will give us some interesting options for holiday cards this year, and maybe a 2021 calendar. I’m sure your photographs from your family trips bring you joy at this time.
Today is one of those days when I feel like taking a walk in a beautiful faraway place. Maybe it’s just because I can’t! The Stay-home directive resulting from the current Coronavirus crisis is hard on a lot of us with wanderlust. Are you like me — dreaming about your next trip?
In the meantime, we can look back on past trips when we could wander along a path in the middle of a summer’s day and explore the evolving view. On July 4, 2018 I was walking alone along the River Wear in Durham, England. I would have preferred to have a friend along, but my husband was working that day.
I came to this spot along the river where the afternoon sun lit Durham Cathedral up on the bluff as well as what appeared to be the mill house, which reflected in the river. The leafy trees near me even framed my image, and the clouds fell right into place as well. Today, nearly two years later, in May 2020, I’m channeling the peace and beauty of this day.
I remember the first time I saw Spanish Moss on my first trip to Florida. I think I was in seventh grade, and I was amazed. It looks kind of spooky hanging from the trees.
My delighted first impression still colors my thoughts when I observe this lacy plant hanging from tree branches. I especially like to see it in early morning or evening light when it looks like a chandelier.
As we begin another week in Southwest Florida of temperatures around 90 degrees Fahrenheit and a heat index around 100, I’m thinking back on a bitter cold morning in Jackson Hole when my fingertips and toes were frozen.
Venturing through Grand Teton National Park with two other photographers, we spotted elk, bison, eagles, trumpeter swans, big horn sheep and a coyote during the day. We also admired the shapes in the snow-covered landscape.
A visual treat of the early morning light was the hoarfrost on the trees along the creek. Rising water vapor coated branches and froze overnight. Before the midday sun melted the ice, we were able to capture some photographs of these crystalline trees.
If you can find a reflection of your main subject in a landscape photograph, you will create a unique image that will hold the viewer’s attention even longer. Sometimes, you need to be a bit creative to find those reflections as big lakes don’t appear on command. When I noticed a few puddles in the red rock flats of Red Rock Crossing, I lined myself up to see if I could see a reflection. What I found was quite an interesting foreground.
A good foreground and middle ground leading to the focal point of the image leads the eye through the image and allows the whole image to work together for a pleasing visual experience. The soft side lighting of sunset also enhances the tranquility of the image.
I hope this scene inspires you to visit Sedona and explore the many trails and viewpoints. Sedona is just 90 minutes’ drive north of the Phoenix Sky Harbor airport. Keep an eye on this online gallery for more of my unique Sedona landscapes. Prints of many different sizes can be ordered online.
Looking for wildlife in Jasper National Park one evening, we stopped to admire the view at Maligne Lake. The wide vista offered a tapestry of blue and green hues, stretching from the clouds in the sky to the ripples in the lake and the evergreens on the lakeshore.
This image will be included in my 2020 Landscape photography calendar. If you would enjoy a new collection of Cathy Kelly’s images for the low price of a calendar, email Cathy to put your name on the list!
I can hear these words echo in my mind, “The Moon carries tremendous visual weight.” My photography mentors remind me to consider this when I compose a frame with the moon. I am listening. The viewer’s eye is immediately drawn to the moon. To create balance in the composition, the other side of the frame needs some “weight.” That’s where the Grand Teton comes in, the high peak on the right.
This image also features a contrast of cool and warm tones. The blue and grey in the sky and mountaintops contrast the warmly lit fall color in the trees and grasses in the valley. Good morning, Jackson Hole! I’m enjoying a deep breath of your fresh air and cool Fall temperatures. It’s time for a warm cup of coffee.