Ten days ago, I was biking in the Everglades National Park, working hard to get some photographs of the Great Egrets and Great Blue Heron in flight. I write to you today from my desk in Pennsylvania, because my efforts paid off and I have more images to share!
For you photographers out there, I had to use ISO 2500 in order to freeze motion with a shutter speed of 1/1000 and keep the aperture wide enough to achieve enough depth of field that the heron would not fly out of my focus zone too quickly. My camera is the Nikon D800, with the Nikon 70-200 mm lens, handheld. When birds take flight, it is a challenge to keep them sharp in the final image.
The success of this image reminds me of why I prefer still photography to video: with a print, one can freeze this moment to enjoy forever. All of these camera settings worked to create an image you can enjoy as a 10″ x 10″ print, available on my website.
Ansel Adams made an iconic photograph of the Snake River Valley looking toward the Grand Tetons from this very spot in Jackson Hole in 1942. So, with my Sony mirrorless digital camera and the latest software, I followed the master’s lead and made this vibrant color image at sunset in late September 2018.
The view was even better in Adams’ day, because the Snake River made a serpentine curve leading the eye to the mountains. Today trees obscure part of the river from this lookout. It was still exciting to walk in Ansel Adams’ footsteps 76 years later.
In the age of iPhone photography, most people seem to think that shooting a photo is all there is to it. Well, first you have to see the image, that is pre-visualize it as an interesting two dimensional image. Next, you have to have a camera or iPhone with you. Third, you need to compose the image and click. Then, many will share the image instantly on social media. Done.
Often you will get pretty cool results with that workflow, but professionals know there is much more to image making. Much expertise goes into lens choice, camera settings for depth of field, selective focus, and then processing. My workflow includes processing first in Adobe Lightroom, then Photoshop, and sometimes even a third application such as Topaz or Nik/Google applications. The impact of this tulip image is the result of my experience with shooting choices as well as processing choices.
A non-photographer will often ask the question, “Is that photoshopped?” as if the question were really, “is it real?” I like to explain that processing a digital photo with image editing software like Lightroom and Photoshop is an essential part of the creative process. I MAKE an image. I don’t just TAKE and image. Using Photoshop to process images is, in fact, my job.