I’ve been thinking that Creativity really means that you let your mind go. Let it spin. Close your eyes and wonder where can you go next. You try something new and find out if it works. You give yourself freedom to experiment. It comes from having time to reflect and the guts to try a new path. Selectively, you embrace some rules and discard others.
With Infrared Photography, the new path I’ve chosen, I continue to embrace the rules that define strong composition, but I throw away the rules that tie photography to the way things truly look to the eye. Realistic color goes out the window. Green trees can be white…or yellow…or gold…or magenta. Just like they can be any color in a painting. But you say, “This is photography, and photography is realistic, journalistic, a witness to truth.” I say, “Before we had color photography, we had black and white photography, which was not true to life. It was and is widely accepted as an art form.” Right?
In that spirit, I present my latest Infrared Photograph: “Isle de Jaune.” I love this image for reasons I’m not sure I can explain in words. It is one of my favorite images of the past year. The complimentary colors and composition work for me. Are you with me?
If you are interested in a Fine Art print or even better — a metal print of this image, please visit my website and place an order online. Thanks for joining me on my creative journey.
Having admired the landscape photography of Clyde Butcher, I love to create my own photographs of tropical Florida with high contrast. Infrared photography is one method to use in making high-contrast images.
An Infrared photograph can be processed in many ways. It is the artist’s choice to use white, yellow or magenta for the green foliage, and to dial in a light or dark hue of blue or cyan in the sky and water. Of course, the image can also be rendered in pure black, white and midtowns. Does this recipe work for you?
After a month-long visit with the grandchildren, it’s time to get back to the photography, and I began yesterday with a midday walk on the beach. The sky was clear and blue, and the sunlight was strong — perfect conditions for Infrared Photography.
I like the way the sun gives the palms and the sky this nice contrast. I chose to process this “super color” image with the palms rendered in a golden yellow, even though they look green to the eye and with the rest of the image in high contrast black and white.
I enjoy experimenting with Infrared Photography, because it’s a new way of looking at the world around us.
I was attracted to the silhouette of this lizard along the lake and moved in slowly, hoping he wouldn’t dash away before I got the shot. As I examined the photograph later, I discovered the lizard was mostly green, and brown in the tail. I’m guessing now that the lizard had turned green while sitting in the grass, and was in the process of changing to brown to match the rock where it was now sitting.
As soon as a Great Blue Heron flew into the space shared by the Woodstork and the Anhinga, tensions rose. The Woodstork had enough, and sent a clear message to the Anhinga, “Back off. I need some space!”
The Woodstork and the Anhinga got along really well on the lakeside… until they didn’t.
December greetings! I’m back in Florida with my camera pointed at the wildlife and tropical landscape. On a recent morning, I spotted this Woodstork and Anhinga foraging along the water’s edge, and I watched for awhile to observe their interactions.
The Woodstork yawned, and I wondered if birds (like dogs) yawn to express anxiety. My imagination is often thinking like a storyteller, and these words came to my mind: “And the Woodstork said to the Anhinga…” I wondered what he would have said?
As I captured some action shots of the Brown Pelican flying low along the Gulf, I was able to sequence the glide, the “wheels down” position and the soft landing on the water. Today, I combined the three photographs into one to illustrate the sequence. In reality, this sequence would happen over a greater distance.
The brown pelican is a family favorite. They fly in a V formation, and they never bother people. They just enjoy fishing and flying and make our time on the Pelican Bay beach entertaining.
The easiest way to identify a Snowy Egret is to spot his Yellow Galoshes. This image from January 2020 in Naples, Florida shows the Snowy stepping from rock to rock while looking for some fresh fish to catch and eat.
While not very skittish, the snowy egrets generally take a step away from you when you approach. It’s best to give them space and not cause them stress in the wild.
Humans of all shapes and sizes flock to the beach on a hot summer’s day, saunter to the water’s edge and…jump the waves! The water feels so good. I think it’s fun to find animals doing the same things people like to do. So I had fun photographing this Snowy Egret in the air, jumping the waves.
This image also gives us a good look at the crashing surf, frozen in time, and the snowy egret’s wings outstretched. He/she is such a graceful bird!
While we are staying “safer at home,” I’m looking through the images I captured in February and uncovering a few hidden gems. I have found new examples of why it really pays off to wake up in the dark and get on location as the sun rises. The reflections on the lake makes this egret look regal.
This image is similar to one I blogged about in February, but it’s different with the fish in the egret’s bill. Here is another frame from moments later.