I’ve been thinking that Creativity really means that you let your mind go. Let it spin. Close your eyes and wonder where can you go next. You try something new and find out if it works. You give yourself freedom to experiment. It comes from having time to reflect and the guts to try a new path. Selectively, you embrace some rules and discard others.
With Infrared Photography, the new path I’ve chosen, I continue to embrace the rules that define strong composition, but I throw away the rules that tie photography to the way things truly look to the eye. Realistic color goes out the window. Green trees can be white…or yellow…or gold…or magenta. Just like they can be any color in a painting. But you say, “This is photography, and photography is realistic, journalistic, a witness to truth.” I say, “Before we had color photography, we had black and white photography, which was not true to life. It was and is widely accepted as an art form.” Right?
In that spirit, I present my latest Infrared Photograph: “Isle de Jaune.” I love this image for reasons I’m not sure I can explain in words. It is one of my favorite images of the past year. The complimentary colors and composition work for me. Are you with me?
If you are interested in a Fine Art print or even better — a metal print of this image, please visit my website and place an order online. Thanks for joining me on my creative journey.
When I set out to shoot Infrared Photography with a modified camera, I usually employ a wide angle lens and look for sunny skies and green foliage that create a strong composition. The direct sun and the strong composition are key.
When I set out to shoot wildlife, I use a regular camera (not modified for infrared light) and a close up lens, so I can capture true color and detail and avoid approaching and disturbing the wildlife. My strategy and my equipment are completely different.
So, today when I was roaming the golf course along the lake with my Infrared camera and wide angle lens, I was surprised to see an Anhinga (large bird) that just happened to contribute interest to my composition. “Hello, and hold that pose!”
I was attracted to the silhouette of this lizard along the lake and moved in slowly, hoping he wouldn’t dash away before I got the shot. As I examined the photograph later, I discovered the lizard was mostly green, and brown in the tail. I’m guessing now that the lizard had turned green while sitting in the grass, and was in the process of changing to brown to match the rock where it was now sitting.
As soon as a Great Blue Heron flew into the space shared by the Woodstork and the Anhinga, tensions rose. The Woodstork had enough, and sent a clear message to the Anhinga, “Back off. I need some space!”
The Woodstork and the Anhinga got along really well on the lakeside… until they didn’t.
December greetings! I’m back in Florida with my camera pointed at the wildlife and tropical landscape. On a recent morning, I spotted this Woodstork and Anhinga foraging along the water’s edge, and I watched for awhile to observe their interactions.
The Woodstork yawned, and I wondered if birds (like dogs) yawn to express anxiety. My imagination is often thinking like a storyteller, and these words came to my mind: “And the Woodstork said to the Anhinga…” I wondered what he would have said?
Last year at this time, I was looking forward to a couple’s trip to Sedona, Arizona. While I have only been there four times in my life, Sedona is one of my favorite places. I just love to hike there and admire the ever-changing views of the sunlight on the red rock. Catching a glimpse of Oak Creek at the same time makes me feel even more serene and balanced.
I have included this image in my Landscape Photography calendar for 2021. These calendars will be available soon for holiday gift giving. Send me a message if you are interested in buying one, and I will reserve one for you.
Walking the neighborhood on a perfect autumn afternoon, I spotted ferns leaning over an old split-rail fence. The fern was fresh, while the wood was rotting. How would this scene appear in an infrared image?
Having converted a Sony mirrorless camera (a6300) to “Infared and SuperColor,” I’m now learning how to process these odd images. When you capture an image with infared light and visible light only 590 nanometers and up, you get some unique color effects, so you need to adjust white balance, swap blue and red, set white and black points, adjust the tonality of each color and adjust hue and saturation. While that sounds like a ridiculous amount of work, the process becomes interesting because you learn about what each individual color (red, green and blue) is doing and how each individual color looks as it interacts with the others.
While you may or may not find that color study interesting, you will probably like the creative possibilities in the different results one can achieve. Here are some examples:
Sitting on the ground beside the garden wall, I noticed some purple plants reaching upwards and the pink ones reaching out. In the gap, I noticed the short garden wall. What I had was a squirrel’s eye view.
While admiring the flowers’ vibrant colors, I thought about gratitude.