The delicate curve and pattern of this palm branch and its sharp shadow that echoes on the ground drew me over to photograph this patch of ground. I chose to isolate these elements to emphasize the shapes I noticed.
When it came time to process this infrared photograph, I slid the hue for the foliage over to a hot orange. The hot orange against the white shelly gravel spoke to me about the heat of the tropics. It was a hot afternoon in sunny southwest Florida, the perfect time of day for a high contrast infrared capture.
While the sun’s brilliant orb slipped behind the Grand Tetons, the clouds reflected the orange glow of sunset. That evening the clouds took on a rippled texture as well as a misty, ethereal quality. We could feel the temperature fall. The light show was brief. Soon it would be dark.
A prominent international journalist was quoted today in the New York Times, saying, “When things go right, it’s boring.” In other words, he remarked to students, when things go wrong, that’s a news story. As a journalist, I completely agree.
As a photographer, the opposite is true. When things go right, the results can be absolutely magical. As many prominent photographers say, the first thing you need to do is “show up.” You never know what weather conditions or wildlife appearances will do to create each day’s photographic opportunities, but if you “show up” in the field often enough, you will be there when things go right, and the results are anything but boring.
Such was the case when I showed up before sunrise for a wildlife bird tour. In addition to many unexpected and unplanned bird sightings, the early morning cloudscape was magical.
A painter would tell you that the orange plumeria tree is the perfect color complement to the light blue ocean in this image. And that the orange hues of sunset and the clear blue region of the sky echo the contrasting orange and blue hues.
Another person might be attracted to the nearly empty crescent beach and just want to be there. What attracts you to this image?
I continue to practice ICM (intentional camera movement) while I have easy access to sunsets over the Gulf. I love to see the sunset through this unique lens: the horizontal lines blurred to the point of near abstraction and the colors enhanced in vibrance and contrast. I was attracted to this image because of the criss-crossing lines of the waves. Comparing fiction and fact, painting and photography, I like to say, “you can’t make this stuff up.” Compare this image to the sunset ICM image in my previous blog. How would you compare the mood of each?