This year I sense a chorus of thankful feelings that our lives have mostly returned to normal after a long period of staying at home and masking our faces to avoid the COVID-19 pandemic. While the virus still circulates, most of us are traveling and working and getting our families together. Hooray!
I’d also like to take a moment to thank a photography teacher, who has inspired me and enhanced both my knowledge and enjoyment of photography: Gary Hart. Gary hosted a fascinating workshop at the Grand Canyon during summer monsoon season, teaching students about capturing lightning with a lightning trigger, and he will be co-hosting a January workshop in Iceland, where we hope to see and photograph the Northern Lights.
This morning I read Gary’s blog where he described what he is thankful for, especially post-pandemic. His blogs are very well written and always contain a few photography tips, including occasional confessions of his own mistakes, and always a touch of humor.
When I wake up on a cloudy day, I feel like staying in my pajamas. As soon as the clouds clear and the blue sky allows the sunshine to light up the world, I feel a burst of energy. Do your moods swing the same way?
On a sunny afternoon in the Fall, you don’t have to convince me that it’s a good idea to go for a walk. This path into the landscape reminds me of a John Constable painting.
Hey, it’s raining over there! One cool thing about photography in the Grand Canyon is that you can see so far, that you can see one type of weather in one direction, and different weather in another. Even better, you never have to worry if there might be a building or a parking lot in the shot. The vistas are amazing and varied as you look in many directions. (The only problem that you just can’t fix is the haze created by car exhaust in nearby cities like Las Vegas and Los Angeles.)
This Infrared Photograph, shot in the morning sun into the Grand Canyon from the North Rim shows a towering cloud and an isolated shower. The shape and texture of the cloud competes for visual attention with the amazing land formations beneath it.
I enjoy digital Infrared photography for the high contrast images that can be made in processing. The best condition to get great results with an Infrared-converted camera is a sunny day. I’m glad I packed my Infrared camera with a wide angle lens for this Grand Canyon adventure.
Getting out to photograph nature in 2020 has been challenging. I’ve become better acquainted with the parks near my home than ever before, but last week was different. My husband and I drove to New York City for a family visit. Seeing the family after a long wait was terrific, but it was also fun to visit the New York Botanical Garden and within it, the tropical plants in the beautiful Enid Haupt Conservatory.
Walking through the Haupt Conservatory, we were surrounded by ferns, palm trees, an assortment of cacti and lots of unfamiliar and varied green plants. Since it wasn’t crowded at all, we could take our time, and I could take photos!
Sunshine streamed through the windows at high noon, so conditions were perfect for Infrared Photography — my new creative pursuit. With a Sony a6300 camera converted to see only Infrared light and part of the visible light spectrum, only above 590 nanometers, I captured a dozen or so images. It was fun to have a fresh subject to shoot, and some new infrared images to process.
Here is one of my Conservatory images of (visibly green) foliage looking quite different in infrared.
Looking through my archives for color photographs that would make a satisfying black and white image made me realize that “seeing in black and white” will make me a better photographer. Any consistently successful photographer will pre-visualize the image before image capture. For starters, one evaluates dynamic range, depth of field, light quality, composition, timing of the action and whether the subject is meaningful.
To choose a good subject for black and white photography there are more factors to evaluate: tonal range and contrast, simplicity, shape, texture, interest. I like my black and white images to be strong. The image has to be eye catching and hold the viewer’s interest without the help of color. I admit, I’m a photographer who loves color, so this challenge is fun for me!
This photograph of a mother Bison and her calf grazing on top of the hillside made the cut for a color to black and white candidate. In my judgement, it has simplicity, large repeating shapes, texture in the fur, wide tonal range and plenty of interest — from the unusual wildlife sighting to the eye contact and tongue in mid-air.
I’m challenging myself with learning a new discipline in photography. The first step is having a digital mirrorless camera converted to capture infared light, and I’m learning about the techniques for capturing and processing these new types of images. But the camera won’t be back in my hands for a few weeks.
In the meantime, I was daydreaming about the places I would love to photograph with the infared camera — like the Florida Everglades and Joshua Tree National Park in southern California. With the limitations on travel during the pandemic, those excursions will come to pass down the road.
The scenery of Joshua Tree is fresh in my mind, since I visited the park in 2018. I decided to process one of my color photographs in black and white, as a first step in my journey to see in black and white. What do you think?
When travel restrictions keep a photographer at home for months at a stretch, it’s a perfect time to exercise one’s creativity with new ways to process images in the archives. On this sunny day in June, I pulled up one of my favorite images of 2020: my daughter and son-in-law on a dog sled in Wyoming with a stunning background.
I was so happy that my dogsled, traveling just behind Courtney’s sled stopped in an opportune spot for me to frame her sled before tall pines, snow-capped mountains and a happy sky, blue with puffy clouds. And for just one second, Courtney and her husband Scott looked up at me and smiled. The triangular composition gives the scene balance and also offsets the white dogs.
Our winter adventures in Jackson Hole will give us some interesting options for holiday cards this year, and maybe a 2021 calendar. I’m sure your photographs from your family trips bring you joy at this time.
Are you finding ways to exercise your creativity during Isolation? I hope I can inspire you to play a little. Of course, first things come first: we pray, we clean, we prepare meals, we help our neighbors, we work remotely, we stay in touch over the Internet, we catch up on our sleep, we read, we exercise and then we do it all over again.
But for the first time in a long time, the rat race has paused. You can actually be patient when driving a car. You can smile and say hello to strangers you pass outside. You can reflect about life and how to live a better life when normalcy returns. And you now have time to be creative. It’s okay to amuse yourself — draw, write, cook — whatever pursuit suits you.
I have been experimenting with my Lensball, which I ordered in December, but have been too busy doing everything else until now. It is a carefully manufactured and polished spherical prism. When you take a photo of it, the image you see is reflected on the back and then the front of the sphere and it appears upside down. Don’t let this stop you. You can always invert the image in photo editing software if you need to. There are endless creative possibilities. (You just have to be very careful to keep the lens ball out of strong direct sunlight, as it heats up in about 2 seconds and can burn your fingers!) You can guess how I discovered this outdoors in southwest Florida.
This Great Egret is no Narcissist. He’s just foraging for fish on a Tuesday morning. But his clear reflection in the lake reminded me of the Greek Myth about Narcissus, the character who fell in love with his reflection. This moment frozen in time in a still image gives the impression that the egret may have stared at his reflection for a few minutes. Of course, this moment passed in an instant.
This morning the colors reflected in the water and the ripples surrounding our Great Egret gave this image a unique ethereal quality. The smooth white egret and its reflection contrast with the color and texture of the water, bringing our eye to rest on the bird and its mirror image.