Looking through my archives for color photographs that would make a satisfying black and white image made me realize that “seeing in black and white” will make me a better photographer. Any consistently successful photographer will pre-visualize the image before image capture. For starters, one evaluates dynamic range, depth of field, light quality, composition, timing of the action and whether the subject is meaningful.
To choose a good subject for black and white photography there are more factors to evaluate: tonal range and contrast, simplicity, shape, texture, interest. I like my black and white images to be strong. The image has to be eye catching and hold the viewer’s interest without the help of color. I admit, I’m a photographer who loves color, so this challenge is fun for me!
This photograph of a mother Bison and her calf grazing on top of the hillside made the cut for a color to black and white candidate. In my judgement, it has simplicity, large repeating shapes, texture in the fur, wide tonal range and plenty of interest — from the unusual wildlife sighting to the eye contact and tongue in mid-air.
I’m challenging myself with learning a new discipline in photography. The first step is having a digital mirrorless camera converted to capture infared light, and I’m learning about the techniques for capturing and processing these new types of images. But the camera won’t be back in my hands for a few weeks.
In the meantime, I was daydreaming about the places I would love to photograph with the infared camera — like the Florida Everglades and Joshua Tree National Park in southern California. With the limitations on travel during the pandemic, those excursions will come to pass down the road.
The scenery of Joshua Tree is fresh in my mind, since I visited the park in 2018. I decided to process one of my color photographs in black and white, as a first step in my journey to see in black and white. What do you think?
When travel restrictions keep a photographer at home for months at a stretch, it’s a perfect time to exercise one’s creativity with new ways to process images in the archives. On this sunny day in June, I pulled up one of my favorite images of 2020: my daughter and son-in-law on a dog sled in Wyoming with a stunning background.
I was so happy that my dogsled, traveling just behind Courtney’s sled stopped in an opportune spot for me to frame her sled before tall pines, snow-capped mountains and a happy sky, blue with puffy clouds. And for just one second, Courtney and her husband Scott looked up at me and smiled. The triangular composition gives the scene balance and also offsets the white dogs.
Our winter adventures in Jackson Hole will give us some interesting options for holiday cards this year, and maybe a 2021 calendar. I’m sure your photographs from your family trips bring you joy at this time.
Are you finding ways to exercise your creativity during Isolation? I hope I can inspire you to play a little. Of course, first things come first: we pray, we clean, we prepare meals, we help our neighbors, we work remotely, we stay in touch over the Internet, we catch up on our sleep, we read, we exercise and then we do it all over again.
But for the first time in a long time, the rat race has paused. You can actually be patient when driving a car. You can smile and say hello to strangers you pass outside. You can reflect about life and how to live a better life when normalcy returns. And you now have time to be creative. It’s okay to amuse yourself — draw, write, cook — whatever pursuit suits you.
I have been experimenting with my Lensball, which I ordered in December, but have been too busy doing everything else until now. It is a carefully manufactured and polished spherical prism. When you take a photo of it, the image you see is reflected on the back and then the front of the sphere and it appears upside down. Don’t let this stop you. You can always invert the image in photo editing software if you need to. There are endless creative possibilities. (You just have to be very careful to keep the lens ball out of strong direct sunlight, as it heats up in about 2 seconds and can burn your fingers!) You can guess how I discovered this outdoors in southwest Florida.
This Great Egret is no Narcissist. He’s just foraging for fish on a Tuesday morning. But his clear reflection in the lake reminded me of the Greek Myth about Narcissus, the character who fell in love with his reflection. This moment frozen in time in a still image gives the impression that the egret may have stared at his reflection for a few minutes. Of course, this moment passed in an instant.
This morning the colors reflected in the water and the ripples surrounding our Great Egret gave this image a unique ethereal quality. The smooth white egret and its reflection contrast with the color and texture of the water, bringing our eye to rest on the bird and its mirror image.
Watching and waiting for this Great White Egret to take off, I was rewarded by this sighting of outstretched white wings. With my Nikon camera shutter set at 1/1000 second, I was prepared to capture this image to share with you.
Since I also set my Nikon D800 on “continuous-high,” I have two more great frames to share. You can help me decide which one is best. I will submit one or two of these photos to the Royal Poinciana Members’ Photography Contest. The submitted photos have to be shot on the property.
We arrived at Naples Pier about 10 minutes before sunset. My friend Marjorie warned me, “It’s going to go fast,” and she was right. We needed to pick a spot for a sunset photo quickly among scores of others who were on the beach for the very same reason, to witness the sunset and preserve the memories with photography.
I realized that the sun was going to slip behind the pavilions at the end of the pier, creating an opportunity to photograph the sun as a sunstar with rays. When the sun or other bright light source is clipped by a foreground object, you can create this type of image by stopping your lens down to f/16. (This assumes you know how to manually set your camera!) If not, no worries. Just enjoy this image of a beautiful end of an equally beautiful day.
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The first time I visited Kauai, I flew in for a memorable photography workshop, and my daughter Erin met me there. The next time I visit Kauai, my daughter Erin will be leading me there to make some epic new memories — at her wedding.
As our family books flights and accommodations and looks forward to the big day, I took a look back at my 2014 photos of Kauai. Here is a waterfall image from the “Garden Isle” of Hawaii.
Surely, our second visit to Kauai in July will offer many new photo opportunities on this beautiful Hawaiian island.
If you can find a reflection of your main subject in a landscape photograph, you will create a unique image that will hold the viewer’s attention even longer. Sometimes, you need to be a bit creative to find those reflections as big lakes don’t appear on command. When I noticed a few puddles in the red rock flats of Red Rock Crossing, I lined myself up to see if I could see a reflection. What I found was quite an interesting foreground.
A good foreground and middle ground leading to the focal point of the image leads the eye through the image and allows the whole image to work together for a pleasing visual experience. The soft side lighting of sunset also enhances the tranquility of the image.
I hope this scene inspires you to visit Sedona and explore the many trails and viewpoints. Sedona is just 90 minutes’ drive north of the Phoenix Sky Harbor airport. Keep an eye on this online gallery for more of my unique Sedona landscapes. Prints of many different sizes can be ordered online.