Having admired the landscape photography of Clyde Butcher, I love to create my own photographs of tropical Florida with high contrast. Infrared photography is one method to use in making high-contrast images.
An Infrared photograph can be processed in many ways. It is the artist’s choice to use white, yellow or magenta for the green foliage, and to dial in a light or dark hue of blue or cyan in the sky and water. Of course, the image can also be rendered in pure black, white and midtowns. Does this recipe work for you?
After a month-long visit with the grandchildren, it’s time to get back to the photography, and I began yesterday with a midday walk on the beach. The sky was clear and blue, and the sunlight was strong — perfect conditions for Infrared Photography.
I like the way the sun gives the palms and the sky this nice contrast. I chose to process this “super color” image with the palms rendered in a golden yellow, even though they look green to the eye and with the rest of the image in high contrast black and white.
I enjoy experimenting with Infrared Photography, because it’s a new way of looking at the world around us.
Having converted a Sony mirrorless camera (a6300) to “Infared and SuperColor,” I’m now learning how to process these odd images. When you capture an image with infared light and visible light only 590 nanometers and up, you get some unique color effects, so you need to adjust white balance, swap blue and red, set white and black points, adjust the tonality of each color and adjust hue and saturation. While that sounds like a ridiculous amount of work, the process becomes interesting because you learn about what each individual color (red, green and blue) is doing and how each individual color looks as it interacts with the others.
While you may or may not find that color study interesting, you will probably like the creative possibilities in the different results one can achieve. Here are some examples:
When travel restrictions keep a photographer at home for months at a stretch, it’s a perfect time to exercise one’s creativity with new ways to process images in the archives. On this sunny day in June, I pulled up one of my favorite images of 2020: my daughter and son-in-law on a dog sled in Wyoming with a stunning background.
I was so happy that my dogsled, traveling just behind Courtney’s sled stopped in an opportune spot for me to frame her sled before tall pines, snow-capped mountains and a happy sky, blue with puffy clouds. And for just one second, Courtney and her husband Scott looked up at me and smiled. The triangular composition gives the scene balance and also offsets the white dogs.
Our winter adventures in Jackson Hole will give us some interesting options for holiday cards this year, and maybe a 2021 calendar. I’m sure your photographs from your family trips bring you joy at this time.
In the age of iPhone photography, most people seem to think that shooting a photo is all there is to it. Well, first you have to see the image, that is pre-visualize it as an interesting two dimensional image. Next, you have to have a camera or iPhone with you. Third, you need to compose the image and click. Then, many will share the image instantly on social media. Done.
Often you will get pretty cool results with that workflow, but professionals know there is much more to image making. Much expertise goes into lens choice, camera settings for depth of field, selective focus, and then processing. My workflow includes processing first in Adobe Lightroom, then Photoshop, and sometimes even a third application such as Topaz or Nik/Google applications. The impact of this tulip image is the result of my experience with shooting choices as well as processing choices.
A non-photographer will often ask the question, “Is that photoshopped?” as if the question were really, “is it real?” I like to explain that processing a digital photo with image editing software like Lightroom and Photoshop is an essential part of the creative process. I MAKE an image. I don’t just TAKE and image. Using Photoshop to process images is, in fact, my job.
Who enjoys the hydrangeas the most? Is it the deer? The bees? Me? The good news is that the bees and I can share the love and leave the plant for each other.
The blue hydrangea is a favorite snack for the deer. The bad news: the deer have stripped my garden and only left one bush with beautiful blossoms for me to enjoy.
These two photographs are also good examples of different ways to process an image. In the white one, I was going for a clean and crisp look; for the blue one, I choose a creamy, more painterly look. I choose an approach based on the strong elements of the photo.