Roaming around Durham Cathedral in Northeast England, I was busy learning about Norman architecture, the imprisonment of the Scots in the Cathedral and the bishop-princes appointed by William the Conquerer. But there was over a thousand years of history made here, and scores more facts to absorb.
Then, my attention was drawn to some unmarked tombs just outside the Cathedral.
Later research on the web provided the names of a bishop, a priest and a dean of the Cathedral buried outside the walls, but there are many more tombs than three, leaving the mystery of the tomb’s identity or date unsolved.
Perhaps it is better to consider this site a place for meditation and prayer. The questions raised by death and the what happens to each of us after death have vexed the human mind for millennia. It may benefit us more to reflect on the human condition and our questions about life after death than to seek the identity of any one particular grave.
Chihuly glass sculptures, installed in many prominent American botanical gardens, ostensibly aim to imitate nature. How do you compare these sublime towers of glass at the New York Botanical Gardens to a nearby stalk of blooms?
Inside the neoclassical pavilion, I found this simple and elegant stalk of blossoms. It is rather understated, you might say, but similar to the sculpture in its overall shape and repetition of blossoms up the stalk. Here the colors are more muted, not bold, primary colors the sculpture has.
Inside the pavilion shown in the first photo is a more fanciful Chihuly tower sculpture that reminds me of a Dr. Seuss illustration. It is white with pink polka dots, and its spokes curl like snakes. Symmetry is no longer the operative word. We might say this piece shows more personality.
Chicago’s public sculpture “Cloud Gate” — nicknamed “the bean” — is always swarmed with visitors admiring its distorted reflections. The Chicago skyline and one’s own reflection inevitably compete for your attention.