For the next full moon on Saturday September 14, I will be alongside Lake Louise in Canada. Lucky me! I have never been to the Canadian Rockies before, and I won’t have access to a car, so it’s pretty hard to plan ahead for this photo opportunity. But I will pack my tripod and check the PhotoPills app for the timing of moon rise and moon set while I am there.
Last year, I was lucky to be in Grand Teton National Park for the Full Moon on a photography workshop. I had lots of moral support in the frosty early morning while I photographed the moon set against the amazing foreground of Mount Moran.
Here’s hoping I will manage to make some good images at Lake Louise!
Ansel Adams made an iconic photograph of the Snake River Valley looking toward the Grand Tetons from this very spot in Jackson Hole in 1942. So, with my Sony mirrorless digital camera and the latest software, I followed the master’s lead and made this vibrant color image at sunset in late September 2018.
The view was even better in Adams’ day, because the Snake River made a serpentine curve leading the eye to the mountains. Today trees obscure part of the river from this lookout. It was still exciting to walk in Ansel Adams’ footsteps 76 years later.
I can hear these words echo in my mind, “The Moon carries tremendous visual weight.” My photography mentors remind me to consider this when I compose a frame with the moon. I am listening. The viewer’s eye is immediately drawn to the moon. To create balance in the composition, the other side of the frame needs some “weight.” That’s where the Grand Teton comes in, the high peak on the right.
This image also features a contrast of cool and warm tones. The blue and grey in the sky and mountaintops contrast the warmly lit fall color in the trees and grasses in the valley. Good morning, Jackson Hole! I’m enjoying a deep breath of your fresh air and cool Fall temperatures. It’s time for a warm cup of coffee.
I love to watch fog moving along the surface of a river in the Fall. I have memories of that fog on the Potomac when I lived in Washington D.C. and on the Ohio River in Pittsburgh. In Jackson Hole, morning fog crept across the Snake River as we watched the sun rise. A thicker layer of fog — not so translucent — filled in the valley closer to the mountains.
The trees are reaching their colorful peak in Pittsburgh today, and the sun is shining, but rain is on the way. I hope to capture some Fall color close to home. Happy Halloween!
The moments when the day’s first sunbeams spotlight the mountain tops are very special. I have awoken in the dark and the cold and dragged my weary bones to the right place. Am I awake? I’m not sure. My buddy has brought the wrong tripod, and is struggling with the settings on his camera. He is not awake.
As the time for sunrise approaches, the sky begins to lighten, and there don’t appear to be any clouds in the sky. Darn, clouds would help to enliven the sky and pick up the rosy tints of the rising sun. Perhaps 50 photographers line the shore along Schwabacher’s Landing, some with DSLRs and tripods, others with iPhones. Looking back toward the parking lot, I see a line of headlights as more photographers flock to this popular site.
And then the magic begins. The tips of the peaks reflect the sunrise first, and moment by moment, that rosy light grows and moves down the Grand Teton range. The full moon (well, it was full the day before) just as swiftly slides downward and to the right toward the peaks. Yes, morning has broken at Schwabacher’s Landing.
Even more exciting than spotting my first moose was watching a spontaneous show of behavior between two male moose in the presence of a female and calf. Joining a Brushback Wildlife Tour in Grand Teton National Park one evening at dusk was definitely worth the investment.
What are these two moose looking at, you might ask? All eyes are on a mother and calf grazing on the nearby hillside. The young buck just wanted to get close enough to say hello, but the senior moose (notice the superior headgear), would block his path. Young buck takes a few steps to the left, Big Moose takes a few steps to the left. A few steps to the right are also blocked.
Light was low, and I had to increase my ISO to 3200 and use a tripod on the Sony aIIr7 with the Sony 100-400mm lens in order to capture these images.