These White Pelicans reminded me of swans as I watched them forage together and look like mirror images of each other. As these three swam away from me and kicked up ripples on the surface, they looked back toward the camera.
White Pelicans are true “snow birds,” as they migrate to Southwest Florida in winter from the Great Lakes region. Dozens of them return to Sanibel Island every year.
After a month-long visit with the grandchildren, it’s time to get back to the photography, and I began yesterday with a midday walk on the beach. The sky was clear and blue, and the sunlight was strong — perfect conditions for Infrared Photography.
I like the way the sun gives the palms and the sky this nice contrast. I chose to process this “super color” image with the palms rendered in a golden yellow, even though they look green to the eye and with the rest of the image in high contrast black and white.
I enjoy experimenting with Infrared Photography, because it’s a new way of looking at the world around us.
Last year at this time, I was looking forward to a couple’s trip to Sedona, Arizona. While I have only been there four times in my life, Sedona is one of my favorite places. I just love to hike there and admire the ever-changing views of the sunlight on the red rock. Catching a glimpse of Oak Creek at the same time makes me feel even more serene and balanced.
I have included this image in my Landscape Photography calendar for 2021. These calendars will be available soon for holiday gift giving. Send me a message if you are interested in buying one, and I will reserve one for you.
What did you learn today? Whether your field is medicine or teaching or child rearing, I’m sure you learn something new every day. Right now I’m using these few months close to home to learn lots about processing infrared photographs. I’m finding Infrared Photography an interesting creative outlet.
After having a Sony camera converted to capture only Infrared and “SuperColor” light (over 580 nanometers), I learned how to White Balance, Channel Swap, and adjust the hue, saturation and tonality of the color captured. That may be a lot of meaningless jargon to you, but the message is this: it is all quite technical and detailed, but the tools, once mastered, are fun to play with!
Today’s share is a photograph I shot outside the Conservatory of the New York Botanical Garden on October 3. I chose the sharpen the foreground plants while fogging and softening the background. I also chose to feature the golden color we love in the Fall against the deep blue sky. All of these choices are creative ones; I like that this image is uniquely mine.
As I captured some action shots of the Brown Pelican flying low along the Gulf, I was able to sequence the glide, the “wheels down” position and the soft landing on the water. Today, I combined the three photographs into one to illustrate the sequence. In reality, this sequence would happen over a greater distance.
The brown pelican is a family favorite. They fly in a V formation, and they never bother people. They just enjoy fishing and flying and make our time on the Pelican Bay beach entertaining.
Looking through my archives for color photographs that would make a satisfying black and white image made me realize that “seeing in black and white” will make me a better photographer. Any consistently successful photographer will pre-visualize the image before image capture. For starters, one evaluates dynamic range, depth of field, light quality, composition, timing of the action and whether the subject is meaningful.
To choose a good subject for black and white photography there are more factors to evaluate: tonal range and contrast, simplicity, shape, texture, interest. I like my black and white images to be strong. The image has to be eye catching and hold the viewer’s interest without the help of color. I admit, I’m a photographer who loves color, so this challenge is fun for me!
This photograph of a mother Bison and her calf grazing on top of the hillside made the cut for a color to black and white candidate. In my judgement, it has simplicity, large repeating shapes, texture in the fur, wide tonal range and plenty of interest — from the unusual wildlife sighting to the eye contact and tongue in mid-air.
Black and White photographs feel timeless, don’t they? Looking at a black and white image of a scene from the olden days seems right to me. When we visited Pioneertown near Joshua Tree National Park, I found some old style buildings like this Feed Store. As I stood on the dirt road, I admired the low evening sun shining from the right on this big Joshua Tree and the wood barn.
As I processed this image, I emulated the look of an infared light photograph by darkening the sky. The foliage was naturally bright from the sunlight. A really good black and white image includes a simple and balanced composition, bold shapes and interesting textures. This image checked all the boxes for me.
If you arrive in Pioneertown in the late afternoon as we did, you can enjoy dinner and the unique ambiance of the iconic restaurant Pappy and Harriet’s, but you will need a reservation.
I’m challenging myself with learning a new discipline in photography. The first step is having a digital mirrorless camera converted to capture infared light, and I’m learning about the techniques for capturing and processing these new types of images. But the camera won’t be back in my hands for a few weeks.
In the meantime, I was daydreaming about the places I would love to photograph with the infared camera — like the Florida Everglades and Joshua Tree National Park in southern California. With the limitations on travel during the pandemic, those excursions will come to pass down the road.
The scenery of Joshua Tree is fresh in my mind, since I visited the park in 2018. I decided to process one of my color photographs in black and white, as a first step in my journey to see in black and white. What do you think?
Reading “Is it safe to visit a Vineyard?” in the New York Times took my mind back to visits to the beautiful vineyards in Sonoma, California and the South Island of New Zealand. I found this vibrant view of a vineyard near Nelson and Tasman New Zealand in December 2014. My daughter Erin and I dropped in on several wine makers that weekend for a tasting of their Riesling and Chardonnay grapes. Keep in mind that December down under is equivalent to June in the northern hemisphere. We enjoyed mid-summer greenery and comfortable outdoor weather.
During this safer-at-home period of the Coronavirus lockdown, we think back on our travels and special experiences and wonder if we appreciate them now more than ever. We are all looking forward to resuming our travels when the pandemic is over.
Looking back at travel photos from past trips, I ask myself why a certain image resonates for me. I’m drawn to this midsummer scene in bucolic England, in a photograph taken on July 4, 2018. First, compositional elements are pleasing: the bright reflection on the Wear River brings the eye directly to the rowing crew in their boat, and the bridge in the background gives the boat implied direction through the image. Second, the greenery and still water on an ideal summer’s day, lends feelings of tranquility, perhaps even memories of a simpler time and an escape from society’s turmoil. Third, happy memories of an overseas trip seem even sweeter during this time when travel is forbidden.
But, I realize there is more meaning behind my positive feelings for this image. Sixteen years ago my daughter rowed crew for Georgetown University. I watched her crew team on the Potomac River in Washington DC, and I’m proud of her many achievements. While I saw a flashback of my daughter in this scene, I also saw her place in a long history of rowing that goes back many years and across the ocean to the U.K. In this moment, I had crossed the ocean to a foreign country, but I felt like I had stumbled upon my family roots.
I believe it is true that as a photographer I will capture an image that instantaneously appeals to me, but further reflection reveals more meaning. I’m sure you can think of images that resonate for you.