Returning to Grand Teton National Park for the second time in the Fall, I was hoping to return to several of my favorite locations, but NOT take the same photos all over again. What fun would that be?
Mother Nature helped me out. On the night before I went out to Mormon Row to photograph the one of the old barns in the foreground of the majestic Teton mountain range, it snowed on the peaks. Adding to the drama were the clouds.
Would you like to see how different this scene looked in 2018? Here is a link to my photo of a nearby barn on Mormon Row. Which image do you prefer?
I think the most exciting aspect of Wildlife Photography is the chance to observe wild animals in their habitat, doing what they like to do. You can learn a lot from watching their behavior, and in doing that, I feel like a privileged secret observer. While we always keep a respectful distance in order not to distract or interfere with the animal, we whisper to each other, and our excitement is palpable.
Early one morning in Grand Teton National Park, we spotted a bull elk in the field, and his silhouette in the bright morning sun was striking.
At one point, we observed the interaction of the bull, the cow and the calf elk, and then they ran out of our line of sight. While close-up photographs are satisfying and show us exactly what the animal looks like, these experiences are exciting, and the photographs share a story. Autumn is a busy time in Grand Teton National Park for the elk, as well as the moose and bears.
Early on a Monday morning, we visited the banks of the Gros Ventre River in Jackson Hole, often a popular hang out for moose. The sun shone brilliantly on the autumn grass and into our eyes. After a few minutes a bull moose silently emerged from the woods. Backlit by the bright sun, he appeared very dark in the yellow grass.
At a safe distance across the river and on a higher bluff, we watched the moose saunter to the willow bush for a nibble.
I needed a little time off this summer, but now I’m back to work with my camera, and my inspiration is renewed with a trip to Grand Teton National Park.
On our first day in the Park, it rained, and the two places we drove to for breakfast were closed. (Thank you, COVID economy.) But we drove past these horses grazing in a field at the foot of the Tetons and stopped for a photo. Those rain clouds made the scene look like an oil painting.
Today I wondered how to make my nature photography in the tropics relevant to people other regions — where alligators and palm trees don’t exist. Then I remembered the photographs I shot yesterday of the ferns in the Cypress Forest. Ferns are an ancient and diverse plant that spring to life next to decaying wood all over the globe. I grew especially interested and appreciative of ferns while hiking the New Zealand woods.
The South Island of New Zealand was the location where I learned that the growth tip of a fern that takes the shape on an unfurling spiral is a symbol of rebirth, regeneration, and eternity. It’s called the Koru. Thanks to this experience and inspiration in New Zealand, I revere the Koru as well.
Looking for alligators and a wide variety of birds in the Florida wilderness, many nature enthusiasts will pass by the ferns without a pause to admire them. I love to find a great composition that features the Koru — the spiral shaped tip of the fern, showing us for centuries the ability of life to regenerate. A positive symbol during our trying times. I believe that this local photograph can truly attain international relevance and appeal.
As a large print, this photograph will work well in contemporary decor. Consider a metal print for your home. Email me for details at email@example.com.
My eyes were drawn to the stripes on these bamboo trunks. These tropical trees are so strong and sturdy, that they are used to make scaffolding in Hong Kong. I remember seeing them when I visited HK in 1998 — just a few years ago!
Every time I visit the Naples Botanical Garden, I notice something new. Do you have a favorite Botanical Garden nearby?
These White Pelicans reminded me of swans as I watched them forage together and look like mirror images of each other. As these three swam away from me and kicked up ripples on the surface, they looked back toward the camera.
White Pelicans are true “snow birds,” as they migrate to Southwest Florida in winter from the Great Lakes region. Dozens of them return to Sanibel Island every year.
After a month-long visit with the grandchildren, it’s time to get back to the photography, and I began yesterday with a midday walk on the beach. The sky was clear and blue, and the sunlight was strong — perfect conditions for Infrared Photography.
I like the way the sun gives the palms and the sky this nice contrast. I chose to process this “super color” image with the palms rendered in a golden yellow, even though they look green to the eye and with the rest of the image in high contrast black and white.
I enjoy experimenting with Infrared Photography, because it’s a new way of looking at the world around us.
Last year at this time, I was looking forward to a couple’s trip to Sedona, Arizona. While I have only been there four times in my life, Sedona is one of my favorite places. I just love to hike there and admire the ever-changing views of the sunlight on the red rock. Catching a glimpse of Oak Creek at the same time makes me feel even more serene and balanced.
I have included this image in my Landscape Photography calendar for 2021. These calendars will be available soon for holiday gift giving. Send me a message if you are interested in buying one, and I will reserve one for you.
What did you learn today? Whether your field is medicine or teaching or child rearing, I’m sure you learn something new every day. Right now I’m using these few months close to home to learn lots about processing infrared photographs. I’m finding Infrared Photography an interesting creative outlet.
After having a Sony camera converted to capture only Infrared and “SuperColor” light (over 580 nanometers), I learned how to White Balance, Channel Swap, and adjust the hue, saturation and tonality of the color captured. That may be a lot of meaningless jargon to you, but the message is this: it is all quite technical and detailed, but the tools, once mastered, are fun to play with!
Today’s share is a photograph I shot outside the Conservatory of the New York Botanical Garden on October 3. I chose the sharpen the foreground plants while fogging and softening the background. I also chose to feature the golden color we love in the Fall against the deep blue sky. All of these choices are creative ones; I like that this image is uniquely mine.